Categories
Uncategorized

PhD Studentships in Periodical Studies, Nottingham Trent University (deadline 14 February 2020)

Professor Andrew Thacker and Dr Catherine Clay, Co-Directors of a new Periodicals and Print Culture Research Group at Nottingham Trent University (NTU), invite applications for PhD projects in any area of modern periodical studies under NTU’s 2020 PhD Studentship Scheme.

Further information about the scheme is available here. The closing dates is noon on 14th February 2020, and applications need to be submitted online here

For more details about Professor Thacker’s and Dr Clay’s areas of expertise, please see their staff profiles on NTU’s website. If you would like to discuss a proposal before application, please contact Professor Thacker at andrew.thacker@ntu.ac.uk and Dr Clay at catherine.clay@ntu.ac.uk.

Categories
CFPs

CfP: Hope Mirrlees’s Paris at 100, Paris, 10 June 2020 (deadline 15 Feb)

2020 marks the 100th anniversary of “modernism’s lost masterpiece,” Hope Mirrlees’s Paris: A Poem. Published by Hogarth Press in the spring of 1920, and typeset by Virginia Woolf herself, this ground-breaking long poem maps the range of continental avant-garde aesthetics of the 1910s even as it both engages and anticipates the mythical methods and epic conventions of James Joyce, Ezra Pound, and T.S. Eliot.

This one-day conference aims to present new work that reassesses the singularity of Mirrlees’s poem as well as its place within the broader network of literary modernism. While scholars such as Julia Briggs, who produced the first annotated edition of the poem in Gender in Modernism: New Geographies, Complex Intersections (2007), and Sandeep Parmar, who edited the first critical edition of Mirrlees’s Collected Poems (2011), have done the important archival and recovery work that restored Paris to critical attention, Peter Howarth solidified Paris’s position within the modernist “canon” with his chapter, “Why Write Like This?,” in The Cambridge Introduction to Modernist Poetry (2011), which introduces readers to the disorienting pleasures of modernism’s most famous poems through an extended analysis of Mirrlees’s “difficult” work (16). Building on these approaches, this conference seeks to initiate a “new” wave of Paris scholarship that complicates and extends the poem’s aesthetic, cultural, and socio-political import on the occasion of its centenary.

We therefore welcome papers that both pay tribute to the exceptionality of the poem and insist on the “complex intersections” that resist canonical trends of exceptionalizing marginalized writers like Mirrlees. We invite proposals that consider any aspect of the poem, its influences, or its legacies as well as papers focusing on Mirrlees’s work more generally and in relation to her contemporaries.

The conference will take place on June 10, 2020 at the Maison de la Recherche Sorbonne Nouvelle in Paris, France. It will include a panel discussion with Deborah Levy, Sandeep Parmar, Lauren Elkin, and Francesca Wade as well as a reception celebrating the launch of a new edition of the poem (forthcoming May 2020 by Faber & Faber).

Abstracts due February 15, 2020 to Rio Matchett (R.A.Matchett@liverpool.ac.uk) and Nell Wasserstrom (wassersn@bc.edu).

Categories
CFPs

CfP: Crisis: European Network for Avant-Garde and Modernism Studies (EAM), Leuven, 17-19 Sep 2020 (deadline 1 Feb)

The next biennial conference of the European Network for Avant-Garde and Modernism Studies (EAM) will be held at the University of Leuven from 17 to 19 September 2020 on the theme of CRISIS.

Keynote speakers include Boris Groys, Ken Hirschkop, and Christine Poggi.

A call for roundtable proposals (deadline 1 Jan.) and for paper and panel proposals (deadline 1 February) can be consulted on the EAM’s website (http://www.eam-europe.be/).

Join CRISIS!

This conference is organised by Sascha Bru and hosted by the MDRN research lab (www.mdrn.be) based at the Arts Faculty of the University of Leuven. The local organising committee further includes Mark Delaere (Musicology), Leen Engelen (Film Studies), Hilde Heynen (Architecture), Kate Kangaslahti (Art History, principal co-organiser), Bart Philipsen (Theatre & Performance Studies), Anne Reverseau (UC Louvain, Photography), and Inga Rossi-Schrimpf (curator Royal Museums of Fine Arts Brussels, RMFAB). The conference is sponsored by the Lieven Gevaert Centre for Photography (LGC) and the Museum of Contemporary Art Antwerp (M HKA).

Categories
Seminars

Northern Modernism Seminar

nmslogo1-1

As you may know, the Northern Modernism Seminar restarted last year after a period lying fallow.  It now has a new website:

https://northernmodernismseminar.wordpress.com

Do keep an eye on it for updates and further details of coming events.

There are already dates to mark in your diary for the next couple of seminars:

Sheffield Hallam University, 1 May 2020 [CANCELLED]

Teesside University, 6 November 2020

Categories
Uncategorized

CfP: Transatlantic Studies Association, Lisbon, 6-8 July 2020 (deadline 27 Jan)

Transatlantic Studies Association
19th Annual Conference
Centre for International Studies, ISCTE-IUL, Lisbon
6-8 July 2020

 

Call for Papers

Submissions are invited for the 2020 Annual Conference

KEYNOTE LECTURES

Professor Andrew Moravcsik (Princeton University)

“Why meeting NATO’s 2% target would make Europe (and the West) less secure”

AND

Professor Anna Brickhouse (University of Virginia)
2020 Mayflower Lecture

   “From Lima to Lisbon: Earthquake History in the Making”       

Co-sponsored by the University of Plymouth:

 ‘Mayflower 400: Atlantic Crossings’ 

PLUS

A Roundtable discussion on:

Southern Transatlantic Connections and the Cold War

The TSA is a broad network of scholars who use the ‘transatlantic’ as a frame of reference for their work in a variety of disciplines, including (but not limited to): history, politics and international relations, and literary studies. All transatlantic-themed paper and panel proposals from these and related disciplines are welcome.

The conference is organised around a number of subject themes, each of which is convened by members of the conference programme committee. If you would like to discuss your paper or panel proposal prior to submission, please contact the relevant programme committee members. This year’s subject themes are:  

  1. Diplomatic and international history (David Ryan, david.ryan@ucc.ie, Chris Jespersen, christopher.jespersen@ung.edu) 
  2. Political and intellectual history (Joe Renouard, jrenoua1@jhu.edu, Ana Monica Fonseca, ana_monica_fonseca@iscte.iul.pt)  
  3. Social, cultural and religious history (Kristin Cook, kc31@soas.ac.uk, Constance Post, cjpost@iastate.edu) 
  4. International Relations and Security Studies (Luís Rodrigues, luis.rodrigues@iscte-iul.pt, Joe Renouard, jrenoua1@jhu.edu)  
  5. Literature, film, and theatre (Donna Gessell, donna.gessell@ung.edu, Finn Pollard, fpollard@lincoln.ac.uk) 
  6. Business and finance (Thomas Mills, t.c.mills@lancaster.ac.uk, António Monteiro, asousamonteiro@gmail.com) 
  7. Latin America in a transatlantic context (Robert Howes, robert.howes@kcl.ac.uk, Pedro Seabra, pedro.seabra@iscte-iul.pt) 
  8. Ethnicity, race and migration (Kristin Cook, kc31@soas.ac.uk, Ana Lúcia Sá, ana.lucia.sa@iscte-iul.pt)  

 

Special Subject Theme: ‘Mayflower 400: Atlantic Crossings’

The TSA is pleased to join the University of Plymouth, England in welcoming proposals that seek to place the Mayflower voyage within an Atlantic context, and that offer an opportunity to better understand, interrogate and develop the political, religious, scientific and economic forces which shaped the Atlantic world in this historical moment and beyond. In commemorating ‘Mayflower 400’, we seek to uncover and enable voices and identities which forged, or were forged by, Atlantic crossings of many kinds. The 2020 TSA conference thus welcomes scholars focusing on the Mayflower voyage and its legacies, or on early America from historical/cultural/literary perspectives. 

 

Other formats

In addition to the subject themes above, we welcome papers and panels on any aspect of transatlantic studies. Interdisciplinary papers and panels are particularly welcome, as are innovative formats, such as roundtables, workshops or multimedia presentations. 

 

Submission Instructions

Panel proposals should constitute three or four presenters and a Chair (as well as a discussant if desired). Panel proposals should be sent by email as one document attachment to tsalisbon2020@gmail.com, and include:

  • 300-word overview of the panel theme;
  • 300-word abstracts for each of the papers;
  • 100-word author biographies;
  • 2-page CVs for all participants.

The subject line of the email for panel proposals should read: ‘TSA Proposal-[Last name of panel convenor]-[Subject theme]’ (state ‘Other’ if not falling under listed themes) (E.g. ‘TSA Proposal-Smith-Diplomacy and International History’).

Individual paper proposals should be sent by email as one document attachment, and include:

  • 300-word abstract for the paper
  • 100-word author biography;
  • 2-page CV.

The subject line of the email for paper proposals should read: ‘TSA Proposal-[Last name of presenter]-[Subject theme]’ (state ‘Other’ if not falling under listed themes) (E.g. ‘TSA Proposal-Smith-Other).

 

Travel Grants

The TSA particularly welcomes proposals from new members and junior scholars. Travel grants are available to support early career scholars presenting a paper at the conference. As a result of funding from the Halle Foundation, the TSA is able this year to offer a number of additional travel grants to support early career scholars presenting a paper on any aspect of relations between the United States and Germany.

If wishing to apply for a travel grant, applicants should indicate this in the body of the email when submitting their paper or panel. If papers are believed to qualify for Halle Foundation funding, this should be indicated. In addition to the materials requested above, travel grant applicants should include a brief statement explaining why it is important for them to attend the TSA conference, and an outline of the principal costs entailed. For further details about TSA travel grants, see the TSA website: www.transatlanticstudies.com

 

Deadline for panel and paper proposals: 27 January 2020
All paper and panel proposals, and travel grant applications, should be sent to the conference email: tsalisbon2020@gmail.com.

 

NB: The working language of the conference will be English.

Contact details and further information

 

Chair of TSA: Christopher Jespersen: christopher.jespersen@ung.edu 

 

Vice-Chair of TSA: Thomas Mills: t.c.mills@lancaster.ac.uk 

 

Secretary of TSA: Kristin Cook: kc31@soas.ac.uk

 

Local Organiser: Luís Rodrigues, luis.rodrigues@iscte-iul.pt 

 

www.transatlanticstudies.com 

Categories
Elections Past Events

BAMS Election 2020: Executive Committee candidate statements

Please find below the biographical and candidate statements for election to the BAMS Executive Committee.  These candidates have all been elected, as we received only 6 candidates for 8 vacant positions.  These are in order by candidate surname.

  1. Rebecca Bowler (Keele University)

Nominated by Andrew Frayn, Napier University

Rebecca Bowler is Lecturer in Twentieth-Century English Literature at Keele University. She was awarded her PhD from the University of Sheffield in 2013, and then held a Research Assistant post (British Academy funded) and Research Associate PostDoc (AHRC funded) at Keele University, working on the Dorothy Richardson Scholarly Editions Project (OUP). She has held her current lectureship since 2016. She is the author of Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair (2016) and co-edited the edited collection May Sinclair: Re-Thinking Bodies and Minds (2017). She is a co-founder of the May Sinclair Society and General Editor on the forthcoming Edinburgh Critical Editions of the Works of May Sinclair (EUP). Her next monograph project is Modernist Wellness: Transatlantic Literary Dietetics. She is on the organising team of the recently rebooted Northern Modernism Seminar programme, the fisrt of which she recently hosted at Keele.

Proposal:  I have been a member of BAMS from the beginning of my PhD and have attended NMS events from 2009 (Leeds Trinity). I hosted the Spring 2010 NMS at the University of Sheffield while I was studying for my PhD there. My fondness for BAMS was sustained by the Northern Modernism Seminars and I am excited to be part of the team bringing them back: while I was a PhD student and in my precarious years it was vital to me to have research events that didn’t charge conference fees and close enough to my base that I could afford to travel to them. As a member of the steering committee for both BAMS and the NMS I would keep each regional network’s committee in communication.

I would also like to be involved with both NWiMS and the postgraduate training days. I was inspired, at NWiMS this year, by the inclusion of Beryl Pong’s keynote address on her career to date. Her paper was thoughtful and reflective but also practical. With the current crisis of precarity in HE, it strikes me that this kind of discussion is more vital than ever.

My vision for BAMS then is a closer relationship between the larger (inter)national biennial conferences, and the smaller regional networks with their biannual events; and greater integration of the postgraduate events and the larger (inter)national events. The aim here is to integrate both regional networks and junior networks and ensure greater participation across geographical lines and lines of seniority.

 

  1. Daniel Moore (University of Birmingham)

Nominated by: Tim Armstrong, RHUL

 I am standing for re-election to the BAMS steering committee with the desire to take over the position of Chair in this election. Over the course of my last 3 years on the BAMS steering committee, I have taken an active role in the running of the society. I co-organised the BAMS conference at Birmingham in 2017, and since that time I have been external relations secretary and deputy chair of the association. Over that time, I have seen just how important BAMS is in fostering the study of modernism in Britain, especially among PhD and post-PhD scholars.

Proposal:  If re-elected, I hope to continue to extend the reach of the organisation, in particular by developing connections outside of academia – with galleries, museums, other organisations and with the wider public. Modernism’s upcoming centenaries give us a unique window to engage with the public in exciting ways, and public engagement will give BAMS a range of exciting new opportunities to develop its brief.

In addition to my role on the BAMS steering committee, I have also taken over (sin summer 2019) as lead editor of the journal Modernist Cultures. A closer rapprochement of BAMS and the journal will also be something I’d like to explore should I be re-elected, in particular through opportunities for the PG community of BAMS to get involved in the administration of the journal.

 

  1. Beryl Pong (University of Sheffield)
    Nominated by: Sophie Oliver, University of Liverpool

 

Beryl Pong is a Vice-Chancellor’s Fellow in English at the University of Sheffield. Previously, she was a Research Fellow at Jesus College, University of Cambridge, and a Social Sciences and Humanities Research Council Postdoctoral Fellow at the University of Toronto. Her monograph, British Literature and Culture in Second World Wartime: For the Duration, is forthcoming in 2020 from Oxford University Press’s Mid-Century Studies Series. Her essays have appeared in journals such as Modernism/modernity, Journal of Modern Literature, and Literature & History. She is the current holder of a British Academy Rising Star Engagement Award, as well as a commissioning editor of Literature Compass.

Proposal:  Over the past few years, BAMS has done amazing work in cultivating a vibrant community. I’d like to continue this work by promoting the association’s international links. Building on my experiences working on both sides of the Atlantic, I’ll add some transatlantic nuances to the community resource pack in terms of job applications and teaching documents. I will also explore extant links and opportunities for collaboration with the Australasian Modernist Studies Network, the Modernist Studies Association, the Modernist Studies in Asia Network, and others.

My deeper vision is for BAMS to focalise some of the most important legacies of modernism itself—which includes probing questions not only surrounding internationalism, but liberalism and labour—for addressing the state of modernist studies as a discipline today.

To this end, I want to tackle two areas which are currently unignorable, though not exclusive, to modernist studies: precarity and diversity. I’ll seek to establish more financial support for post-doctoral researchers on precarious contracts, or researchers employed in non-academic roles. I’ll also promote diversity within modernist studies and advocate for underrepresented critical voices. Both of these areas would benefit from a 1:1 mentoring component coincident with annual the New Work in Modernist Studies Symposium (at which I was privileged to deliver this year’s plenary), and which I would propose to facilitate as an executive member. I’ll also continue to actively commission and mentor authors for submitting works to the ‘Modernist Geographies’ section of Literature Compass, which I co-edit, to complement the work of Modernist Cultures.

 

  1. Rod Rosenquist (University of Northampton)
    Nominator: Alice Wood, De Montfort University

Rod Rosenquist is Senior Lecturer in English at the University of Northampton. He is author of Modernism, the Market and the Institution of the New (CUP 2009) and articles on modernist celebrity, advertising and autobiography in journals including Genre, Critical Survey and Modernist Cultures. With John Attridge, he co-edited Incredible Modernism: Literature, Trust and Deception (Ashgate 2013), and with Alice Wood, he co-edited ‘Modernism in Public’, a special issue of Modernist Cultures (November 2016). He has held fellowships at the Beinecke Library at Yale and the Harry Ransom Center at University of Texas, and peer reviewed for OUP, EUP, Bloomsbury and Modernism/modernity. He is currently working on modernist life writing and celebrity culture, including editing a critical volume of Wyndham Lewis’s Blasting and Bombardiering for Oxford University Press.

Proposal:   While I am proud of my publications and my scholarly accomplishments, it is not these that lead me to seek a position on the BAMS Steering Committee. Over the course of twenty years in modernist studies, I’ve come to recognise the value of people, of networks, along with debating and sharing values – and it is in these areas that BAMS can and does contribute most readily. In the last decade, the energy and commitment of BAMS members has been infectious, and I believe I have something to offer in these areas.

In reading the dialogue between the postgraduate reps published in the recent issue of the Modernist Review, I was startled to find Gareth Mills offering me full citation for being ‘immensely helpful in getting my shit together.’ I would be immensely proud to have that on my academic tombstone and would like the chance to help others like Gareth.

Modernist scholarship has, it strikes me, got its shit together some time ago, but there’s still a significant job left to do in broader academic circles. The casualisation of lecturing contracts, the political contexts for HE and the lack of recognition of the value of literary scholarship make these dark times for those seeking or holding an academic job and provide reasons for organisations like BAMS to continue to challenge the status quo. Having personally battled through nearly two decades of teaching-only or temporary contracts and now representing those lecturing at the newer and less-research-oriented universities, I would push for a BAMS that does not shy away from addressing these realities while promoting further opportunities for those struggling to find a place in the modernist studies landscape.

 

  1. Matthew Taunton (UEA)
    Nominator: Dr. Suzanne Hobson, QMUL

 

Dr. Matthew Taunton is a Senior Lecturer in Literature at the University of East Anglia, with broad interests in modernist, 1930s and mid-century literature and culture—with a particular focus on literature’s political entanglements. He completed his PhD at the London Consortium (Birkbeck) in 2008. He is the author of Fictions of the City: Class, Culture and Mass Housing in London and Paris (Palgrave, 2009) and Red Britain: The Russian Revolution in Mid-Century Culture (OUP, 2019), and the co-editor (with Benjamin Kohlmann) of A History of 1930s British Literature (CUP, 2019), as well as a special issue of Literature & History called Literatures of Anti-Communism (2015). His work is published or forthcoming in journals including Textual Practice, ELH, and Women: A Cultural Review, and he has also published a number of book chapters. He is deputy editor of Critical Quarterly.

Proposal:   BAMS has been an essential source of intellectual community for me ever since I attended inaugural conference in Glasgow in 2010. My research interests have skirted the boundaries of modernism—the long 1930s, the mid-century, realism, science fiction—and BAMS has been an indispensable forum in which to discuss these areas. It is important to me that BAMS remains inclusive in its definition of modernism, and open to explicitly non-modernist culture.

Since being appointed at UEA in 2012 my administrative roles have focussed on PGR matters, including as PGR director for my school, and as UEA academic lead for the CHASE DTP. I would like to use my experience and expertise in this area to continue to build on the excellent support offered to graduate students and ECRs by BAMS. I would be interested in developing further links between BAMS and DTPs for the benefit of our modernist PGR community.

Specialist associations have an important role to play in defending the professional structures that make intellectual enquiry possible. Modernist studies faces a number of challenges: the rise of ‘presentism’ as a cultural-historical orientation, the increasing dominance of creative practice as a paradigm for the study of literature and culture, and the erosion of working conditions in universities. I believe that we start from a strong position, but that there is a need for strong advocacy on behalf of the field, to defend the historical study of modern culture. I see BAMS as a crucial site for co-ordinating such a defence.

 

  1. Juliette Taylor-Batty (Leeds Trinity University)
    Nominated by Suzanne Hobson, QMUL

 

I am a Senior Lecturer in English at Leeds Trinity University and have worked in the HE sector since 2003. I am currently programme coordinator for English Literature, and have held a range of administrative posts, including student employability, admissions, and internationalisation. I am on the organising committee of the newly-relaunched BAMS Northern Modernism Seminar. My first monograph, Multilingualism in Modernist Fiction (Palgrave Macmillan, 2013), focused on the use of different languages by Anglophone modernists. I have articles and chapters published and forthcoming on Rhys, Jolas, Joyce, Beckett, Baudelaire, Nabokov and Rushdie, and am the co-author of Samuel Beckett’s Waiting for Godot (Bloomsbury, 2009). I have a particular interest in comparative and global approaches to modernism, and work across languages and literary traditions.

Proposal:  BAMS is a vibrant and inclusive association, but it could be more international, and this is an aspect that I would be keen to develop if elected to the committee. I would seek to extend the range and scope of BAMS membership, targeting potential members working in modern languages, translation studies, and other under-represented areas. This would be supported by more sessions within BAMS conferences and events that specifically address global and transnational modernisms.

I work part-time and have a young family, and I understand the need to accommodate the diverse commitments of BAMS members: I would promote family-friendly policies at BAMS events, as well as spaces for supportive discussion around the challenges of balancing academia with other responsibilities. I would like, too, to share ideas about how to diversify the forms of intellectual exchange that we engage in at BAMS events, creating opportunities for more informal discussion of work in progress, and promoting formats such as seminars to be held alongside the more traditional panel presentations. I am committed to continuing the important work that BAMS does in supporting postgraduate and early career academics, and I would be keen to help develop a mentoring scheme

 

Categories
Elections Past Events Postgraduate

BAMS Postgrad Rep Election 2020: Candidate Statements

Here are the candidate statements for the three candidates for the open BAMS postgradauate rep positions.  Members who are eligible to vote should have received an email with a link.  There are two positions available.  Candidates are presented in alphabetical order by surname.

Members who are eligible to vote should have received an email with a link.

 

  1. Bryony Armstrong

I am a first year PhD student in English Studies at Durham University, following a joint MA in English and Mathematics and an MPhil in Modern and Contemporary Literature. My research is on the modernist kiss, with a focus on touch, looking at the work of D. H. Lawrence, Virginia Woolf, E. M. Forster and Elizabeth Bowen, among others.

My vision for BAMS is to grow its lively community, promote its learning resources, and expand its digital presence. Through its responsive Twitter page, networking events, training days and conferences, BAMS fosters a supportive and inclusive postgraduate community. I hope to build upon the collaborative work of the association, and continue to listen to and meet the needs of its members.

Proposal:    As well as supporting existing schemes, I envisage three new contributions to develop my vision. The Modernist Review currently offers the opportunity to publish pieces online; I wish to expand this platform by creating an accompanying podcast that records spoken papers, allowing members to engage with content in a flexible format. I would also develop the Community Resource Pack by introducing modernist-specific writing resources, such as literature review examples and skeleton thesis chapter plans, alongside the existing application advice. Finally, I would like to connect directly with universities to make their students, particularly those who do not use social media, aware of BAMS’ community and how it can enhance their postgraduate studies.

I can bring a range of relevant experience to this role. I am co-convenor of Durham’s Late Summer Lecture Series 2020, which involves releasing Call for Papers, engaging with the national literary community, and organising events. I also co-edited Label Press for two years. Having joined the magazine at its inception, I successfully established both a team of writers and a readership base. I wrote and edited articles, made publication schedules, and promoted on social media.

 

  1. Will Carroll

I am a second-year PhD student at University of Birmingham, researching small-town American narrative in the early-to-mid twentieth century across literature, art, and photography. I am a proactive researcher with a keen interest in publishing and presenting my work. I have had work published in Screen, ASAP/J, Question, U.S Studies Online, among others; I have also presented papers at BAMS 2019; New Works in Modernism; PG BAAS; Modernism in the Home, and many others.

As a newly-enrolled PhD student, the BAMS postgraduate networking day (September 2018) was the first formal event I attended and became a formative experience in shaping my experience of doctoral study to this point. The welcoming and friendly nature of the BAMS community, made so by my fellow researchers and the hosting BAMS PG reps, immediately dispelled the worries of isolation and solitude I had harboured regarding doctoral study. The warmth of sharing ideas and finding common ground; the excitement of liaising with newly-made contacts for conference panel proposals; socialising with researchers equally new and nervous – all of this was made possible because of BAMS’ commitment to creating spaces and events where postgraduates are welcome.

Proposal:    I am applying for this position because, put simply, I want to help provide this same environment of community, warmth, and stimulation to other postgraduate researchers who are perhaps uncertain, as I was, about the challenges innate to doctoral study. Whether this is through fostering community via networking days; creating an important sense of active community on social media; or providing a supportive place for publishing new and exciting work with thoughtful, considerate feedback (care of The Modernist Review), I will strive to work with the current PG reps, and BAMS’ executive committee, to achieve a sense of belonging and camaraderie to new and existing postgraduates alike.

As a scholar, I operate very much on the fringes of modernism and am eager to draw together equivalent scholars with established, conventional modernists in a bid to broaden the remit and definition of ‘modernism’ within the academy. I have extensive experience working directly with The Modernist Review, including a special issue I edited on ‘Visual Modernism’ which aimed to directly disturb our expectations and definitions of modernism and provoke new questions for the field. My enjoyment of editing work and engaging with exciting new scholarly material would make me an ideal permanent editor of The Modernist Review, a forum for new academic inquiry which I believe is vital in moving Modernist studies forward.

I am eager to bring my interdisciplinary interests to BAMS in a bid to bridge gaps within the discipline, engaging with scholars and creatives alike who are interested in probing the fixity of traditional modernist ideologies. Thank you for considering me for this role, and I hope that my message of community and support resonates with the BAMS committee. I hope that, through this role, I will be given the chance to give something back to this research network.

 

  1. Josh Phillips

Josh Phillips is a second-year PhD candidate at the University of Glasgow, researching Virginia Woolf’s late manuscript drafts. His article ‘Thoughts on Peace in a Wine Cellar’ is forthcoming from Woolf Studies Annual. In 2019, he helped to run the ‘Theory Now’ symposium at Glasgow. He is a contributor to The Year’s Work in English Studies and has written for The Modernist Review. Prior to starting his PhD, he worked in a number of digital marketing and editorial positions.

Proposal:  One of the most professionally and personally satisfying aspects of BAMS is the way that the organisation works to build a modernist community. While events like the BAMS conferences or NWiMS are justly high points of the BAMS calendar, more can be done to foster community beyond these national events. To this end, I would work in conjunction with affiliated modernist networks such as the Scottish Network of Modernist Studies, the London and Northern Modernist Seminars, or the Modernist Network Cymru to run smaller local events, such as seminars on professionalisation and career development for modernist PGRs. These would create opportunities for networking and the exchange of ideas while seeking to mitigate the economic and environmental costs associated with cross-country conference travel. These would be supplemented with ongoing digital initiatives, such as an online modernist ‘Salon’ hosted on The Modernist Review website which would provide a space for virtual discussion and collaboration, and a series of virtual writing ‘retreats’ which would allow attendees to share, discuss, and get feedback on their writing and build on the success of #ModWrite.

My background in digital marketing and editorial roles has given me a set of skills that I believe will help implement these proposals. Digital marketing work has taught me how to use social media and email platforms to communicate effectively online, while editorial work – both copy-editing and editorial planning, often to tight deadlines – stands me in good stead for working on The Modernist Review. Put simply, I know how to pull shenanigans on Twitter and love wrangling semicolons.

 

 

Categories
Uncategorized

Juliet McLauchlan Prize, Joseph Conrad Society (deadline 15 May 2020)

Juliet McLauchlan Prize

An annual prize is awarded by the Joseph Conrad Society (U.K.) for an essay on any aspect of the works and/or life of Joseph Conrad. The prize is dedicated to the memory of Juliet McLauchlan, a much loved Conradian and former Chair of the Society, by encouraging writing from new Conradians. The value of the prize is 200 pounds sterling.

The essay competition is designed to foster work by new Conradians and emergent scholars, including undergraduates, postgraduates and independent scholars of any age, subject to the proviso that entrants should not have held a full-time academic appointment for more than three years. Essays must be original and not previously published, between 5000 and 7000 words in length, in English. and typed double-spaced.

The competition is now open  and the final date for acceptance of entries is 15th May 2020. The essays will be judged by a panel of Joseph Conrad Society committee members and the winning entry will be announced at the Society’s Annual International Conference in July. Winning and commended essays will be favourably considered for publication in The Conradian.

Entries, accompanied by a brief c.v. and current address, should be sent to: The Secretary, Joseph Conrad Society (U.K.), c/o P.O.S.K., 238-246 King Street, London W6 ORF, England. Should you wish your essay to be returned, please send a S.A.E. with your entry.

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Uncategorized

Virginia Woolf Birthday Lecture, London, 25 Jan 2020

21st Annual Virginia Woolf BIRTHDAY LECTURE

“Singing Songs of Sixpence? Virginia Woolf, Ethel Smyth & the languages of music”

Claire Davison, Professeur de Literature Moderniste, University Sorbonne Nouvelle, Paris

Saturday 25 January 2020, 2.00pm (doors 1.30pm)

MAL 532, Main Building, 5th floor, Birkbeck College, Malet Street, London. WC1E 7HX

Afterwards, at 3.15pm: wine reception, dining room, Tavistock Hotel, WC1H 9EU

£20 Virginia Woolf Society members/ students & concessions, £25 non-members

The price includes a wine reception at the Tavistock Hotel to follow the lecture and a printed copy of the lecture to be posted.

For tickets please apply to Lynne Newland, send cheques to 84 Waterman Way, London, E1W 2QW, giving email address for receipt of payment; or pay by BACS to Virginia Woolf Society GB, sort code 09-06-66; acct no 40411044. Bank Santander. Reference: initial/surname/BL e.g. LNEWLAND BL. If paying by BACS please notify Lynne at lynne@newlandmail.com.

Lecture theatre maximum is 75 so please apply promptly.

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CfP: Flann O’Brien & the Nonhuman (deadline 1 Feb 2020)

New Flann O’Brien Publication: Call For Papers

Flann O’Brien & the Nonhuman:
Animals, Environments, Machines

eds. Katherine Ebury, Paul Fagan, John Greaney

Recent years have seen a remarkable rise in studies dedicated to the nonhuman turn in Irish literary and modernist contexts. Yet this proposed collection posits that the writing of Brian O’Nolan (pseud. Flann O’Brien, Myles na gCopaleen) constitutes a significant gap in these critical conversations. This is a body of writing acutely suited to the concerns of animal studies, ecocriticism, ecofeminism, object oriented ontology, cyborg theory and posthumanist approaches, but which remains conspicuous by its absence in these debates. This volume of essays addresses and corrects this critical lacuna.
At first blush, readers might think of The Third Policeman’s uncanny landscapes and the ‘monstrous exchange of tissue for metal’ in the atomic hybridisation of people and bicycles; or of the cast of At Swim-Two-Birds, which includes the bird-man Sweeney, the Pooka MacPhellimey, and a cow who is called as a star witness in the author’s show trial. But this is an oeuvre in which conventional narratives of the human-nonhuman binary are troubled at all turns, whether in the author’s high modernist novels as Flann O’Brien, his newspaper columns, Irish-langauge work, and writing for stage, radio and television as Myles na gCopaleen, or his diverse short stories, non-fiction, and letters under an arsenal of pseudonyms and personae. For instance, in this broader canon we observe the brutal, rain-soaked landscapes, Irish-speaking pigs, and seals of An Béal Bocht; the protagonist’s strange metamorphosis into a train in ‘John Duffy’s Brother’; the columns’ recurrent concern with steam men, writing machines and pataphysical inventions; the donkey’s tragedy in the late-career teleplay The Man with Four Legsor Rhapsody in Stephen’s Green, O’Nolan’s stage adaptation of Karel and Josef Čapek’s The Insect Play.
The editors invite proposals for chapters on all approaches to O’Nolan’s broader body of writing and its creative reception that are relevant to the volume’s themes, but are particularly interested in submissions that address:

  • O’Nolan’s Animals
    • O’Nolan’s Environments, Landscapes, and Ecologies
    • O’Nolan and the Anthropocene
    • O’Nolan’s Machines
    • O’Nolan’s Technologies
    • Planes, Trains and Bicycles: O’Nolan’s Vehicles
    • O’Nolan and the Posthuman
    • O’Nolan and the Spectral
    • O’Nolan and Nonhuman/Geological Time
    • O’Nolan and Eco-Criticism/Eco-Feminism/Eco-Marxism
    • Vibrant Matter: O’Nolan and Object Oriented Ontology
    • Queering the Nonhuman in O’Nolan
    • Gendered Animals, Environments, Machines in O’Nolan
    • Agriculture, Food, and Eating Animals in O’Nolan
    • Technologies of Clothing in O’Nolan
    • Becoming-Animal in O’Nolan
    • O’Nolan and the Gaze of the Animal
    • O’Nolan and Biopolitics/Ecopolitics
    • Fuel, Energy, Extraction, Consumption
    • Coastlines, Islands, Archipelagos
    • Urban Landscapes

Please send bios and abstracts of no more than 500 words to k.ebury@sheffield.ac.ukpaul.fagan@univie.ac.at, and john.greaney@ucd.ie by 1 February 2020.

Successful proposals will be invited to return a viable draft chapter of 6,000-7,000 words by 1 July 2020.