Categories
CFPs

CfP: Asking Big Questions Again, Venice, 24-25 Jan 2020 (deadline 5 Dec 2019)

CALL FOR PAPERS

The 8th Forum of Critical Studies
Asking Big Questions Again

24 – 25 January 2020
Venice, Italy

Deadline for Paper Proposals: 5th of December 2019

 

The 8th Euroacademia Global Forum of Critical Studies aims to bring into an open floor the reflexive and questioning interaction among academics, intellectuals, practitioners and activists profoundly concerned with evaluative understandings of the world we’re living in. The focus of the forum is to initiate an arena where no question is misplaced and irrelevant as long as we acknowledge that evaluation, critical thinking and contestation are accessible trajectories to better understand our past, present and alternative scenarios for the future.

Conference Description
Some say that the 21st Century or modernity altogether made humans more concerned with doing rather than being. As the classical Greek civilization valued the most reflexive thinking as a form of freedom from natural necessities, contemporary times profoundly involve individuals and the imaginary accompanying social practices in a restless logic of consumption, competition and engagement that profoundly – or some would say, radically – suspends or indefinitely postpones the autonomous capacity of human beings to question and reflect upon the social order and the meaning of social practices. The fast advancement of the logic of post-industrial societies, the gradual dissolution of alternative models to the capitalist logic and a multitude of other alerting factors pushed ahead a global spread culture of one-dimensional productions of meaning that advances a closure rather than a constant reflexive re-evaluation of cultural/social practices.
Many alternatives at hand are often condemned to marginality or lost in the plural practices where everything goes as long as it’s part of an intellectual market. The ‘fatal strategies’ of post-industrial societies to keep individuals captive, busy and seduced by contingent social arrangements and economic practices minimized the questioning detachment required to evaluate and give meaning through reflexive criticism and unlimited interrogation. Various labels were given to our unfolding times from apocalyptic ones to some more comforting yet not by chance lacking some vital optimism. Despite a wide-spread discontent and suspicion towards the daily realities of our current societies, most of the big questions are often left outside by the self-involved active pursuit of an imagined well-being that is no longer transgressed by harsh critical evaluation of its meaning. The academic arena itself also advances, supports, integrates and promotes limited particular methodologies that generate an effect of mainstreaming and often keeps researchers or practitioners out of the battle-ground for big questions.
The ongoing economic crisis made reality even harsher and pushed ahead the need for more thinking as many habitual categories lost their meaning or relevance. New ways of thinking could transgress some inappropriate conceptions or misconceptions that preserve their centrality due to the mechanics of habits. This is a time when a call to thinking is well-placed. This is a call to arms for critical studies that promotes alternative, questioning and multi-dimensional thinking.

Panels

When it’s about critical thinking and critical studies there is intrinsically an unending open list of topics to be included. The 8th Euroacademia Forum on Critical Studies proposes the 5 sections (that are by no means exclusive):

  • Theory/Philosophy
  • Politics
  • Cultural Studies
  • Political Economy
  • Arts, Literature, Film and Performance Studies

Papers on the following topics (and not only) are welcome:

Diagnostics of Our Times: Where Is the 21st Century Heading? ~ Our Societies Are As Good As It Gets: How to Escape the Closure of Meaning? ~ Consumerist Societies and the Captivity of Thinking ~ The Being/Doing Nexus ~ Assessing Models of Capitalism ~ Markets, Capital and Inequalities ~ The Remains of Individual Autonomy ~ How Plural Our Societies Truly Are? ~ Debating Ideal vs. Real Multiculturalism ~ Social Narcissism and Consumerism ~ The Role of Critical Thinking: Proposing Alternative Methodologies ~ Are There Any Alternatives to Capitalism Left? ~ Social Causes and the Pursuit of Social Beliefs ~ Protest and Social Change ~ Re-Thinking Revolutions ~ Hegemony and the Remaining Possibilities for Social Criticism ~ Loneliness and Isolation in the Era of Mass Communication ~ Living Low Cost: Values, Meaning and Market Exchange ~ Ideology and Other Dominant Narratives ~ Critical Economics ~ Post-Modernism and the Critique of Modernity ~ Marx and the 21st Century ~ Debating the End of Communism ~ Non-Oppositional Societies ~ Consolation, Complicity and Passivity Today ~ Who Still Waits For A Revolution? ~ C. Castoriadis and the Project of Autonomy ~ French Thinking and Alternatives for Thought ~ Eastern Europe and the Enrollment to the School of Capitalism ~ China and the Logic of Growth ~ Crises of Culture ~ Left and Right: Political Spectrums and Pluralism Re-Discussed ~ Art as an Exchange Value ~ Originality and Complacency ~ Literatures and Authors ~ Heroes and Heroines in Electronic Literature ~ Fiction and the Fictionalization of the Contemporary World ~ Film and the Persisting Hunger for Heroic Imagination ~ The Illusory Charity and Imagined forms of Contemporary Humanisms ~ The Growing Social Irrelevance of Philosophy ~ Replacement of the Logic of Becoming by the Logic of Earning ~ How Do We Look Back at Tradition? ~ Just Wars or Unjust Thinking? ~ The Myth of Cosmopolitanism ~ Facing the Self ~ Communication, Media and Simulacrum ~ Science, Pragmatics and Vocation: Who Pays What We Can’t Sell? ~ Is There Still a Postmodern or Any Other Kind of Condition? ~ Post-Marxist Way of Looking at Facts ~ The School of Suspicion and Evaluative Thinking ~ Feminist Readings of Our Contemporary World ~ Post-Colonialism and the Refurbished Other(s) ~ Theory and Power ~ Queer Theory and Living After the Sexual Revolution ~ Subaltern Theory

For complete information before applying see full details of the conference at:
http://euroacademia.eu/conference/8fcs/

You can apply on-line by completing the Application Form on the conference website or by sending a 300 words titled abstract together with the details of contact and affiliation until 5th of December 2019 at application@euroacademia.org.

Categories
CFPs

CfP: Poetry & Painting: Conversations, Oxford, 23 Mar 2020 (deadline 30 Nov 2019)

You know how

I feel about painters. I sometimes think poetry

only describes.

Frank O’Hara, ‘John Button Birthday’ (1957)

The supposed similarity between poetry and painting was famously characterized in Horace’s ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?

The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.

Co-organisers Drs Jasmine Jagger and Jack Parlett invite you to share your thoughts on this relationship for a one-day conference in Oxford. This symposium seeks to ignite and develop critical and trans-historical conversations about the interplay between the sister arts. Contributors may consider, but need not be limited to:

  • Ekphrasis and ekphrastic writing
  • Illustration and other “composite” modes
  • Co- and inter-disciplinarity
  • Gender politics
  • Narrative, time and temporality
  • Tone, texture, and style
  • Questions of form
  • Issues of historicity
  • Interrelations between poetry, painting and other forms (e.g. photography and film)
  • Theories of the visual and the gaze
  • Interpretation and revisionism
  • Colour, mood, affect, and play

The conference’s plenary speakers have been confirmed as Professor T. J. Clark and Dr Kathryn Murphy.

Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.

Please send proposals to jack.parlett@univ.ox.ac.uk and jasmine.jagger@ell.ox.ac.uk. The deadline for submissions is 30 November 2019. The one-day conference will take place on 23 March 2020 at the Faculty of English, Oxford.

For more information, please visit www.poetryandpainting.co.uk. We welcome you to disseminate this CFP widely.

This conference is organised in association with the Faculty of English, Oxford.

Categories
CFPs

CfP: British Society for Literature and Science, Sheffield, 15-17 Apr 2020 (deadline 12 Dec 2019)

The fifteenth annual conference of the British Society for Literature and Science will be held at the University of Sheffield from Wednesday 15 April until Friday 17 April 2020.

Keynote speakers will be Dame Jocelyn Bell Burnell (Oxford), Professor Martin Willis (Cardiff), and Professor Angela Wright (Sheffield).

The BSLS invites proposals for 20-minute papers, panels of three papers, or special roundtables on any subjects within the field of science (including medicine and technology), and literatures in the broadest sense, including theatre, film, and television.

The conference will include a visit to the Alfred Denny Zoological Museum, and the Turner Museum of Glass will host a keynote lecture and the wine reception.

Please send an abstract (200 words) and short biographical note (50 words) to Katherine Ebury and Helena Ifill at shefbsls2020@gmail.com by no later than 18.00 GMT on Thursday 12th of December. Please include the abstract and biographical note in the body of the email.

The conference fee will be waived for two graduate students in exchange for written reports on the conference, to be published in the BSLS Newsletter. If you are interested in being selected for one of these awards, please mention this when sending in your proposal. To qualify you will need to be registered for a postgraduate degree at the time of the conference.

Information concerning registration fees and local hotels will be forthcoming.

Membership: conference delegates will need to register/renew as members of the BSLS (annual membership: £25 waged/ £10 unwaged).

Categories
Call for submissions CFPs Events Postgraduate Registration open Uncategorized

CfP: Making Sense of Violence in the Digital Age, Gdansk, 24-26 Feb 2020 (deadline 20 Nov 2019)

Call for papers

Making Sense of Violence in the Digital Age

University of Gdańsk (Poland), 24–26 February 2020

Confirmed Keynote Speakers: Prof. Jeff Hearn and Dr Nena Močnik

Organizers: Marta Laura Cenedese and Helena Duffy

We invite scholars, students, practitioners and activists from all fields to take part in the inaugural symposium of the Study Circle Narrative and Violence (2020–2022). The Circle is run under the auspices of the Nordic Summer University, a migratory, non–hierarchical group of international researchers that is a forum for experimentation and cross–disciplinary collaboration welcoming members from both within and outside universities and other institutions.

We will launch our Study Circle in a city that last year was the stage of an outrageous act of violence. As evidenced by the hate-speech-motivated public murder of Paweł Adamowicz, the Mayor of Gdańsk, in the digital age violence calls for an urgent redefinition, and its hermeneutics for a rethinking within theoretical, sociological and cultural perspectives. Bringing together scholars and practitioners (journalists, politicians, political analysts, activists, criminologists etc.), we will discuss the ways in which the newly arisen media have become powerful vectors for violent acts.

We are interested in contributions dealing with various narrativisations of digital violence and the ethical issues they bring to the fore, approached through interdisciplinary perspectives. Some of our research questions are (but not limited to):

  • What new guises does violence take in the digital age?
  • How is violence articulated through social media (FB, Twitter, Instagram, etc.)?
  • How is digital violence narrativised in cultural productions (literary, cinematic, artistic etc.)?
  • How has sexual violence changed with the onset of digital technology?
  • How can digital media diffuse/counteract violence (e.g. bloggers suffering domestic abuse, violence experienced by minorities, etc.)?
  • What are the negative impacts of digital technology on the animal world and the natural environment?
  • What are the forms and impacts of cyberbullying?
  • What are the potential negative implications of violent video games? How to use them, instead, as non-violence learning tools?
  • Can digital surveillance be considered a form of violence and what are the possible alternatives?

Please send proposals (max. 300 words) with a title and a short biographical statement (100 words) to Marta Laura Cenedese (marta.cenedese@utu.fi) by 20th November 2019. We encourage participants to craft their presentations in the format that they find most suitable, but please specify details of required equipment. If you wish to attend without presenting, contact Marta. PhD and MA students are eligible for up to five ECTS points for participation and presentation of a paper. The preliminary programme will be announced in mid–December 2019 at www.nordic.university. There you will also find more information about NSU and may sign up for the newsletter.

 

Conference participation fee:

The participation fee includes lunches, coffee/tea during breaks, and the conference dinner.

€ 80 – standard fee (€ 65 – early-bird registration by 20th January)

€ 60 – students, self-financed/freelance/independent scholars and artists (€ 50 – early-bird registration by 20th January)

 

Membership:

To participate in the symposium you need to become member of the Nordic Summer University (NSU). The annual membership fee facilitates the existence of NSU, which is a volunteer-based organisation. As a member you can sign up for all events organised by NSU, take part in the democratic decision-making process on which NSU is based, and become part of the extensive network of NSU. There are two rates: a standard fee of € 25 and a discounted membership of € 10 for students, self-financed/freelance/independent scholars, and artists.

The Nordic Summer University builds on the values of equality, inclusion, and sustainability by combining two traditions: the continental ideals of learning and cultivation of the self, and the Nordic heritage of folkbildning and self-organization, with its investments in open–access education and collaboration through participation and active citizenship.

Circle 4 is actively committed to implementing sustainable practices at its events. At our symposia we offer vegetarian/vegan food only and aim towards zero waste. We thus invite members to bring their own reusable coffee cup and water bottle to the symposia and to consider carefully the carbon footprint of their travel choices.

Categories
CFPs Postgraduate

CfP: Figuring Out Feeling, Paris, 1-2 July 2020 (deadline 31/1/20)

Figuring Out Feeling
 
International Conference
Université de Paris, 1st-2nd July 2020
Deadline for submissions:
January 31, 2020

Since the affective turn in the early 1990s, the humanities and social sciences have witnessed a profound and renewed interest in how feelings operate; their relationship to both the human, the nonhuman (or more than human), and other feelings. As researchers, teachers and artists, we often struggle with the place and status of emotions in creative processes, institutions, the workplace, classrooms, and in our own research. How do we feel about all of this?

The title of this conference favours the word ‘feeling’, because of its flexibility and ubiquity in everyday speech; we want to allow contributors the freedom to name, explore and redefine slippages and intersections between theoretical frameworks. ‘Figuring out’ suggests an ongoing process, a movement from the inside out, an attempt to image and imagine, to shape and bring into light; but it doesn’t carry the necessity of a resolution. This conference encourages you to stay with the trouble, sit with the discomfort, dwell in the in-between and embrace the slippage in a collective, open-ended process of figuring out feeling.

​We welcome papers on feeling across eras, genres and mediums, with a relation to the arts and literature of the anglophone world (19th-21st century)​.

For more information, please see our conference website.

Topics may include (but needn’t be limited to):

– Thinking about feeling​: theories and methodologies of emotions; the semiotics of emotions; emotions and the intellect (or the history thereof). Vague, fuzzy, confusing, ineffable and ungraspable feelings; irrational or ambivalent feelings.

– Sounding feeling​: emotions in music and poetry; emotional rhythms, echoes, and silences.

– Feelings and the body: ​feeling, touching and moving; emotionally loaded gestures; emotions and (dis)ability; the place of emotions in sense and perception studies.

– Feelings of intimacy​: relationships, communities, social networks, platonic feelings, family feelings and sexual feelings.

– Disturbing feelings: d​iscomfort, disgust, dismell, emotionally troubling texts or images.

– Disordered feelings​: mental illness, the pathologisation of emotions, the invention of madness, hysteria, numbness.

– Lingering feelings: e​motions through time and space, emotional memories, nostalgia, trauma, grief; persistent or haunting emotions.

– Slippery feelings: ​the relationship between feelings; layered, multiple, clashing feelings; sympathy, empathy, transfers of emotions; liminal feelings, emotional development; emotions in translation.

– Feelings in style:​ (anti-)sentimentalism, melodrama, soppiness; dryness, flatness; experimental approaches to feelings.

– Political feelings:​ emotions in the public sphere and power structures; (un)feminist, queer, intersectional feelings; emotional labour, activism.

– Ecologies of feeling​: post-human feelings, animal and more-than-human feelings; emotional objects; emotions and the built or natural environment, eco-anxiety.

We also encourage discussions of:

– Scholarly feelings​: the affects of research, critical objectivity and subjectivity, academic communities, the emotional burden of academic precarity.

– Teaching and feeling:​ collective vs. individual emotions within the classroom, (un)safe spaces, the growing role of expressing feelings in the advisor/advisee relationship.

– Creative & crafty feelings:​ obstructing, liberating, disturbing or comforting emotions in creative processes.

How to apply​​

Papers: ​individual papers should be 15 minutes long. To apply, please send an abstract of no more than 300 words along with a short bio (max. 100 words) to figuringoutfeeling@gmail.com​​by 31st January ​2020​.

Panels and roundtables​: panels should consist of three 15-min paper presentations. To apply, please send a proposal of no more than 400 words along with short bios of participants (max. 100 words) to figuringoutfeeling@gmail.com​​by 31st January​ 2020​.

Non-traditional formats (​performance, screening, small exhibition, workshop): please feel free to contact us ahead of the deadline (​31st January 2020)​ with any thoughts or initial enquiries.​

Paper guidelines​

​Papers should be written ​in English,​ with oral delivery in mind, in a clear, easily digestible style. The approximate length of a 15-min paper is 6 to 8 pages (double spaced), or about 2,000-4,000 words. If you would like to see examples of successful abstracts, check out the Modernist Review’s Community Resource Pack. We look forward to reading your work!​

Attendance and fees​

We welcome contributions from all: students, researchers, artists, activists, academics, and enthusiasts!

Fees for the conference, and details of how to pay, will appear shortly on the conference website.

If you have any questions, feel free to email us or tweet at us @f​iguringfeeling​.

Categories
Call for submissions CFPs Essay Prize Featured Past Events Postgraduate Uncategorized

BAMS ESSAY PRIZE 2019

CLOSING DATE FOR ENTRIES: 31 JANUARY 2020

The British Association for Modernist Studies

Essay Prize 2019

The British Association for Modernist Studies invites submissions for its annual essay prize for early career scholars. The winning essay will be published in Modernist Cultures, and the winner will also receive £250 of books.

 The BAMS Essay Prize is open to any member of the British Association for Modernist Studies who is studying for a doctoral degree, or is within five years of receiving their doctoral award. You can join BAMS by following the link on our membership pages: https://bams.ac.uk/membership

Essays are to be 7-9,000 words, inclusive of footnotes and references.

The closing date for entries is 31 January 2020. The winner will be announced in March 2020.

Essays can be on any subject in modernist studies (including anthropology, art history, cultural studies, ethnography, film studies, history, literature, musicology, philosophy, sociology, urban studies, and visual culture). Please see the editorial statement of Modernist Cultures for further information: http://www.euppublishing.com/journal/mod.

In the event that, in the judges’ opinion, the material submitted is not of a suitable standard for publication, no prize will be awarded.

 Instructions to Entrants

Entries must be submitted electronically in Word or rtf format to modernistcultures@gmail.com and conform to the MHRA style guide.

Entrants should include a title page detailing their name, affiliation, e-mail address, and their doctoral status/ date of award; they should also make clear that the essay is a submission for the BAMS Essay Prize.

 It is the responsibility of the entrant to secure permission for the reproduction of illustrations and quotation from copyrighted material.

Essays must not be under consideration elsewhere.

Enquiries about the prize may be directed to Tim Armstrong, Chair of the British Association for Modernist Studies, at T.Armstrong@rhul.ac.uk

Categories
CFPs Uncategorized

CfP Attending to Literature, University of Nottingham, 3 December 2019

ATTENDING TO LITERATURE

We invite paper proposals for a British Academy funded interdisciplinary symposium on the concept of attention, to be held at the University of Nottingham School of English on the 3rd December. The symposium has three aims:

1. To allow researchers who work on similar questions from different disciplines to interact for the purpose of developing future collaborations and networks;

2. To provide a training opportunity for ECRs in engagement and outreach, allowing participants to practice bringing the specifics of their research to bear on an issue of public concern (attention);

3. To engage non-specialist audience members, in particular those who work in related professions (e.g. teachers, programmers, psychologists) in the exploration of humanities-based perspectives on the problem of attention.

We invite a wide range of interpretations of the concept of attention, but would particularly encourage submissions on any of the topics below. In keeping with the symposium’s public-facing emphasis, we are seeking contributions which aim to present research in a manner that is sufficiently detailed to be helpful to specialists but written with an eye to a wider public audience.

Please email a 250 word abstract and 250 word bio to attendingtoliterature@gmail.com by 20th October. Papers from ECRs will be particularly welcome. We will also be running a session online allowing interaction by participants who are unable to travel to Nottingham or are minimising flying: please indicate on your email if this applies to you. For participants in Europe we encourage train travel rather than flying to the event where possible and can offer a limited number of travel bursaries.

TOPICS 

1. ’Attention Panic’

Public anxieties about digital distraction and the threat to attention.

2. Historicising attention

How do the present digitally-fuelled anxieties about attention relate to earlier thinkers on attention and distraction, from Pascal through, for instance, Nietzsche, Simmel and Benjamin?

3. The attention economy

Has attention itself become a commodity, and how has this commodification taken new forms with the development of digital technology?

4. Attending to the body

Various moral philosophers have emphasised embodiment in their discussions of attention: might engaging in certain physical practices and manual or craft work help cultivate certain forms of perception and attentiveness?

5. Attention and attentiveness in ethics

What is the role of attentiveness as a concept in ethics?

6. Compulsory Attentiveness

Drawing on Manne’s recent work on ‘The Logic of Misogyny’, we might ask: what moral hazards arise when attentiveness becomes an expectation that is applied to some groups more than others?

Topics focused on attention in literature:

1. Attention in literary ethics: How might the concept of attention be bound up with accounts of literature’s moral work?

2. Attending in and to the text: What kinds of attention do different literary forms demand or cultivate in the reader? Is the reader’s attention to the text the same as the attention required to write it? Or the interpersonal attention depicted in it?

3. Attention in critical traditions: How do different moments in the history of literary criticism rely on the concept of attention?

4. Poetry analysis and attention

What forms of attention are produced in sustained moments of literary analysis? Might the concentrated and immersive nature of close reading induce states of meditative attention that are distinctive?

Twitter: @attendingtolit

Website: attendingtoliterature.wordpress.com

Categories
CFPs Uncategorized

CfP Annual BCLA Postgraduate Conference, St. Edmund Hall, Oxford, 29th November 2019

Annual British Comparative Literature Association Postgraduate Conference

Call for Papers

‘Radical Retellings: Fairy Tale, Myth, and Beyond’

Friday 29th November 2019

St. Edmund Hall, University of Oxford

Keynote lecture:

‘High Mountains are a Feeling: Queering Ice and Snow’

Professor Diane Purkiss (Keble College, Oxford)

Vladimir Nabokov once provocatively remarked that ‘great novels are great fairy tales… literature does not tell the truth but makes it up’. This year’s BCLA postgraduate conference takes this statement as its point of departure and aims to interrogate the influence, legacy, and enduring significance of fairy tale and myth, as well as acts of retelling and reworking across a wide range of literary forms. If, as Marina Warner has argued, the recurrence of fairy tale, mythic structures and forms across the ages acts as a ‘connective tissue between a mythological past and present realities’, how does this recurrence manifest itself in literary works from various national, linguistic, and cultural contexts? How do stories travel across historical and geographical spaces? How do they form or challenge forms of identity?

In an era of fake-news and twisted truths, can fairy tale and myth offer new (or, indeed, old) perspectives on our contemporary world? To what extent do our turbulent historical moment, current crises and violent events give rise to particular instances of creativity drawing on myths and legends of old? In a present scarred by multiple ongoing conflicts and mass migratory movements can the fantastic and the mythical create new modes of comprehending trauma, alternative paths to the future? Or have the birds now eaten all of the breadcrumbs dropped along the way, leaving us lost in the woods?

What is to be gained (or, perhaps also, lost) by conceiving of fairy tale and myth as foundational paradigms for literature across history, up to and including contemporary works? What forms do such radical retellings take in particular linguistic, cultural, and historical contexts? If fairy tales and myth have been and continue to be a fundamental repository of human understanding and culture, who are their gatekeepers?

We invite postgraduate researchers working in the field of comparative literature, defined in its broadest sense, to submit abstracts for 15-minute papers. Papers may be presented on literature from any cultural context, although the lingua franca of the conference will be English. We welcome broad and creative interpretations of the conference title, including, but by no means limited to:

– Revised and reworked fairy tales and myth

– Modern myths / New myths of our time

– Aesthetics and forms in myths and fairy tales

– The politics of myths and fairy tales

– Non-Western myths and fairy tales

– Postcolonial readings of fairy tales

– Feminist and queer re-imaginings of myths and fairy tales

– Fairy tales and children’s literature

– Fairy tales and myths in other media (film, TV, comic books, music, and video games, etc)

Please send paper proposals of up to 300 words and a short bio to bclapgrepresentative@gmail.com by Friday 25th October 2019.

Applicants need not be current members of the BCLA, although the opportunity to join will be available during the conference and beforehand. For members of the BCLA the conference attendance fee will be reduced to £10. The fee for non-members will be £15. Registration fees cover administrative costs as well as refreshments.

Financial support for postgraduates

The BCLA offers a number of postgraduate travel bursaries to its members in order to cover attendance at conferences. For further information, see: https://bcla.org/postgraduate-events/postgraduate-bursaries/

Postgraduate members of the BCLA can expect the following benefits:

– Online access to the three issues published per annum of Comparative Critical Studies.

– A monthly newsletter via e-mail featuring up-to-date news and events relevant to our members’ interests.

– The opportunity to apply for one of the travel bursaries awarded twice annually towards attendance at conferences and research events.

– You can also contribute an entry for the annual Arthur Terry Prize awarded for an essay written in English on any aspect of Comparative Literature.

– One free entry to the John Dryden Translation Competition, sponsored jointly by the BCLA and the British Centre for Literary Translation. Winners are also eligible for free membership of the BCLA for one year.

– Attendance at regular half days and seminars for postgraduate students, led by top scholars in the field together with besides a BCLA-sponsored postgraduate reception and one-day conference, held at regular intervals.

– Other opportunities for networking, including through social media, with the national and international community of postgraduate students and collaboration with all scholars in the field who share an interest in comparative literature and related fields.

Categories
CFPs Uncategorized

CfP Randomness,Queens University Belfast, 15-17 September 2020

Randomness CfP

Queens University Belfast

15-17 September 2020

Keywords

Accidental, arbitrary, incidental, slapdash, hit-or-miss, unplanned, unintended (e.g. consequences), unexpected, unanticipated, unpredictable, contingent, volatility, excitement, wonder, fantasy, imagination, creativity, serendipity.

Chance encounters, unforeseen opportunities, and impulsive decisions play a bigger role in our life and work than we wish to acknowledge. Is reading not always random to some extent? It is only retrospectively, in shifting scale from the individual to social or perspective from reading to interpreting, that randomness becomes regularity and can get explained away as purpose and design.

Randomness and chance play a leading role in historical accounts, in narratives of war and battles, victory and defeat, in biographies and travelogues, in narratives of arrivals, encounters and departures. They resurface in stories, setting characters onto a course or hurtling them into the great unknown, towards their fate. People’s bookshelves, readers’ memories, and second-hand bookshops can produce a similar, puzzling – even dizzying – sense of randomness.

Fortunes of literary works and theory are not immune to the dictates of chance. What are the forces that get literary works published, translated, circulated locally or internationally, and nominated for and winning literary prizes? When do managed search algorithms fail and serendipitous connections appear? How do chance encounters with a literary work, a theory, or lead to translations or adaptations, new creative adventures, or additional and alternative theories?

Artists and writers can be more comfortable with randomness than scholars; they break away from the space of the familiar and the already-known and place trust in the process of the work itself. Critics are driven by institutional pressures to present their work as an execution of purpose, design and method. But randomness persists even in grand geo-political schemes. Randomness overcomes censorship and solutions are always found to circulate books without the support of publishers or the state. Randomness happens despitecontrol, and may be the more attractive for it. It is often random finds that are the most treasured with a sense of delight. Random encounters excite imagination and creativity.

Randomness is also openness; it stands more often at beginnings and turns of the road of many literary and critical careers. How do we cultivate a sense of wonder and open up our critical discourses and theories of comparative literature and world literature to more inclusive and elastic modes of thinking and writing? Can we use randomness in and outside texts and oeuvresproductively, to our advantage?

We seek panels that will work with the idea of randomness, particularly in relation to:

–      Encounters with literary works, theories and cultural others

–      Adaptations, new writings, performances, visualizations within the same literary/cultural field, or outside.

–      Representing randomness through visualisations and digital interfaces.

–      Multilingualism, heterolingualism, plurilingualism, translanguaging

–      Performance, performativity

–      Politics of the literary/cultural market, including publication, translation, circulation, literary prizes and literary festivals (and book fairs)

–      Critiquing randomness in the age of search algorithms

–      Unpredictable futures

–      Ecocritical approaches to randomness and unpredictability

–      Translation and translation studies, choice of work and language, choice of method and style

–      Theories and Methods of Comparative Literature and World Literature

Deadlines: 15 November 2019 for Panel proposalsand 15 December 2019 for Paper proposals.

Submit your proposal to: randomness2020bcla@gmail.comor through the conference website https://randomness2020.wordpress.com/call-for-papers/

Categories
CFPs Uncategorized

CfP “Out of the Archives” section in Feminist Modernist Studies

“Out of the Archives” section in Feminist Modernist Studies

We are looking for previously unpublished and/or unknown material that illustrates modernism’s vibrant global presence. Fiction, poetry, drama, photography, visual art, advertisements, political propaganda, little magazines, diaries, personal and professional correspondence: Feminist Modernist Studies wants to connect your archival discoveries with ongoing conversations in modernist studies.

Submissions should be accompanied by an introduction which can be as brief as a few pages or up to 4000 words.

Inquiries should be sent to

Cassandra Laity, founding editor claity@utk.edu

or

Urmila Seshagiri,  Out of the Archives editor sesha@utk.edu

Best, Cassandra Laity

Prof. Cassandra Laity

Editor, Feminist Modernist Studies (FMS; Routledge; 2017–

Former Co-Editor, Modernism/Modernity (JHUP; 2000-2010)

Currently, Visiting Scholar
English Department
University of Tennessee-Knoxville
e-mail claity@utk.edu