Andrew Atherton (University of Kent): The Two Eliots: Effort and Passivity in the Critical Prose of T. S. Eliot

Mimi Winick (Rutgers University): ‘On that bridge, emotionally, I halt’: Jane Harrison’s Ritual Scholarship

Michael Jolliffe (University of Leicester): ‘Gas Bombs and Smoke Screens’: The Collateral Damage of Emanuel Carnevali’s Cultural Criticism

George Potts (University College London): The ‘self-explanatory or critical poet’: Eliot, Empson and Poetic Notation

Benjamin Poore (Queen Mary, University of London): Why Leonard Bast had to be Killed

Natalie Wright (University of Cambridge): ‘scientific, experimental, and observational work’: Edith Morley’s Professorial Criticism

Maciej Jakubowiak (Jagiellonian University): A Question of the Law: Modernist Discussions on Copyright

Alexandra Lyons (University College London): ‘Age of Experiment’: Katherine Mansfield’s Work in The Athenaeum

David Miller (Birkbeck University): ‘Uncreativity’ and the Gendered Production of Art in Olive Moore’s The Apple is Bitten Again (Self-Portrait) (1934)

Sarah Barnsley (Goldsmiths, University of London): Mary Barnard and Ezra Pound: A Critical Correspondence

John Dunn (Queen Mary, University of London): The ‘Night’ and ‘Day’ of Literary Criticism in Maurice Blanchot’s Thomas the Obscure

Katarzyna Trzeciak (Jagiellonian University): Making Radical Criticism by Sculptural Concepts: T. E. Hulme and his Influence on Imagists and Vorticists