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Reading group

The Anglo-Russian Research Network autumn reading group

READING GROUP AT PUSHKIN HOUSE, FRIDAY 27 NOVEMBER, 5.30PM: BARBARA EMERSON ON ANGLO-RUSSIAN RELATIONS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES

The Anglo-Russian Research Network will be holding its autumn reading group at 5:30 on Friday 27 November at Pushkin House, Bloomsbury. We will be discussing Russian and British diplomacy in the nineteenth century, led by the historian Barbara Emerson. The readings can be downloaded from the link below.

British historians of Anglo-Russian relations in the nineteenth century have portrayed Britain as a peace-loving empire, concerned only to protect her overseas possessions, in particular India, and her highly- successful trade. However, what emerges clearly from the dispatches and private letters in the Russian archives is that Britain was seen as a dangerous expansionist power bent on countering Russian power in Europe and preventing Russia from establishing herself in Central Asia on a footing comparable with that of Britain in India. No bones were made about the aim to dismember the Ottoman Empire. Successive Russian ambassadors in London, who remained en poste for long periods of time, were on good terms with the British establishment, but even they did not understand the liberalism that underpinned British foreign policy in the 19th century. The Polish revolution of 1830, brutally put down by Russia, marked the turning point after the relatively civil relations that followed the Napoleonic Wars. The two countries were then constantly at loggerheads. They were only once at war, the Crimean War, but were several times on the brink of hostilities over Central Asia, the Great Game, and Russia’s aim to capture Constantinople. Although Britain’s relations with the other European powers fluctuated, deep-seated mistrust of Russia and her ambitions, Russophobia, became ingrained in British foreign policy and in the mind of the general public. Anglophobia dominated the thinking of policy makers in St. Petersburg. A political psychosis developed that blinkered both Britain and Russia in their relations with each other. When, early in the twentieth century, they came to see that they had each more to fear from Germany than from each other major differences were resolved in the Anglo-Russian Convention of 1907.

Barbara Emerson read Politics, Philosophy and Economics at St. Hilda’s College Oxford, and is the author of several books on nineteenth-century diplomatic history, including a biography of Léopold II. She has just completed a book about Anglo-Russian diplomatic relations during the nineteenth century.

If you plan to attend, it would be helpful if you could let Rebecca Beasley (rebecca.beasley@ell.ox.ac.uk) and/ or Matthew Taunton (M.Taunton@uea.ac.uk) know. The discussion will finish at 7, and anyone available is very welcome to join us for dinner nearby.

Categories
CFPs

CFP for Reimagining the Gothic: Monsters and Monstrosities

Our formal CFP for Reimagining the Gothic: Monsters and Monstrosities, 2016 conference is up now! We’re looking for academic papers for the symposium on interdisciplinary Gothic and creative, interactive, interdisciplinary projects for our showcase event… get your abstracts in now!

http://sheffieldgothicreadinggroup.blogspot.co.uk/2015/11/reimagining-gothic-2016-monsters-and.html

Categories
CFPs

CfP: Shakespeare and the Great War, Oxford 8 April 2016

Shakespeare and the Great War

Cry havoc! and let slip the dogs of war!

The War and Representation Network (WAR-Net) invites paper proposals for a conference on Shakespeare and the Great War to be held at Harris Manchester College, Oxford, on Friday 8 April 2016.

2016 is the 100th anniversary of the Battle of the Somme and the 400th anniversary of William Shakespeare’s death.  This one-day conference will explore intersections between Shakespeare’s plays and the Great War and reflect on anniversary culture more generally.

Keynote Speakers
Professor Gordon McMullan, King’s College, London
Professor Emma Smith, University of Oxford

Proposals for 20-minute papers should be sent to Kate McLoughlin (kate.mcloughlin@ell.ox.ac.uk) by 31 January 2016.  Topics might include (but are not limited to):

       Wartime performances of Shakespeare
       Shakespeare in the Trenches
       Shakespeare on the Home Front
       Global Wartime Shakespeare
       Shakespeare / Nation / Empire
       Ireland, Shakespeare and the Uprising
       Shakespeare and Anzac
       Shakespeare in Translation
       Shakespeare and Propaganda
       Shakespeare and Memorialisation
       Shakespeare and ‘The Enemy’
       Shakespeare and Morale
       Wartime dramaturgy
       Wartime publications relating to Shakespeare
       Anniversary Culture (including commemorations of the 350th anniversary of Shakespeare’s birth and 300th anniversary of his death)

Please send proposals of up to 350 words and include your academic affiliation and a brief (100-word) biography.  Please use ‘Shakespeare and the Great War’ as a subject-line.

Categories
Postgraduate

MHRA PG Editor and PG Representative

Dear BAMS-ers,

The Modern Humanities Research Association are seeking a new postgraduate editor for Working Papers in the Humanities. Please share the below advertisement with interested PG students.

The MHRA (Modern Humanities Research Association) is looking for a second postgraduate editor for its online journal, MHRA Working Papers in the Humanities (http://www.mhra.org.uk/ojs/index.php/wph). Working Paperswas launched in 2006 and is aimed at early career researchers and postgraduates.

The successful applicant will serve as a second postgraduate representative to the MHRA Executive Committee, attending three committee meetings per year in London and advising on postgraduate matters, and the position will also involve an element of conference organisation. For further information about the work of the MHRA see www.mhra.org.uk.

This position starts in January 2016 and ends in December 2017. Whilst unpaid, it offers invaluable experience in the world of academic publishing, as well as representing a chance to work constructively for the future of the Humanities more broadly. Applications are welcome from postgraduates working in any of the ‘modern humanities’, defined as relating to the modern and medieval languages, literatures and cultures of Europe (including English and the Slavonic languages, and the cultures of the European diaspora).

Applicants should send a CV and cover letter (in a single Word file), together with a letter of support from their supervisor, as email attachments to Dr B. Burns (barbara.burns@glasgow.ac.uk), Honorary Secretary, by 10 December 2015. Informal enquiries are welcome and may be addressed to the current representative, Lucy Russell, at postgrads@mhra.org.uk.

 

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Registration open Uncategorized

[REGISTRATION NOW OPEN] Sensory Modernism(s) 2

SM2, University of Leeds, December 11-12 2015 – [Registration now open!]

 

Sensory Modernism(s)#2 is a two-day interdisciplinary conference due to be held at the University of Leeds. The event, organised by the university’s Sensory Modernism(s) research group, follows the highly successful inaugural conference event held earlier this year.

The conference will seek to address the interrelationship of modernism with sensory perception. We will begin at 10am and run until approximately 6.45pm on both days of the conference. The conference will be held in the Alumni Room of the School of English. The event will be signposted but please use our campus map to help guide you: http://www.leeds.ac.uk/downloads/download/9/campus_map_for_visitors

You can register for the conference by following this link: http://store.leeds.ac.uk/browse/extra_info.asp?compid=1&modid=1&catid=685&prodid=5695

Best wishes,

The Sensory Modernism(s) Team

Categories
CFPs Uncategorized

Flying through the ‘Thirties CFP

 

Flying through the ’Thirties

a one-day symposium on air travel and

interwar Britain

 

16 April 2016

The Aerodrome Hotel

Croydon Airport

London

 

In his seminal British Writers of the Thirties, Valentine Cunningham notes the ‘airmindedness’ of the decade; this one-day symposium aims at exploring the role held by flying in interwar Britain—actual, textual, material, cultural.

Held at Croydon Airport, a key site for aviation in interwar Britain, the conference will explore the texts and contexts that help to examine the impact of air travel on art, literature, film, space, perception and production.

Possible topics include, but are not limited to:

–       The imagery of flight in poetry, prose, painting.

–       ‘Airmindedness’

–       Flights taken by individual authors, explorers, adventurers.

–       ‘Airmen’, symbolic and real.

–       Travel literature and its response to flight.

–       The threat and reality of aerial bombardment.

–       Airport architectures.

–       Films featuring flying.

–       The luggage and logistics of air travel.

Please send a maximum 250-word proposal by

11 January 2016 to

flyingthroughthethirties@gmail.com

 

Conference organisers:

Dr Luke Seaber (UCL)

Dr Michael McCluskey (UCL)

Dr Amara Thornton (UCL)

Dr Debbie Challis (Croydon Airport Society)

 

‘As you all know, the greatest feat, the most stupendous risk in human history is being undertaken this evening by a gentleman who prefers to remain known simply as the Pilot.  His ambition is no less than to reach the very heart of Reality.’

                                                                                   W.H. Auden, The Dance of Death (1933)

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CFPs Uncategorized

CFP: Poetic Measures conference

Poetic Measures: Variable measure for the fixed

University of York, 1-2 July 2016

poeticmeasures@gmail.com

https://poeticmeasures.wordpress.com/ 

How do we measure poetry? The words ‘measure’ and ‘meter’, with their shared etymological origin in the Greek metron,have a long history of being used synonymously. When William Carlos Williams wrote that ‘[t]he key to modern poetry is measure, which must reflect the flux of modern life’, however, he proposed ‘measure’ as an alternative to the metrical foot in response to ‘the flux of modern life’ that demanded measures of more fluid and unstable permutations.

The ‘formless spawning fury’ of ‘this filthy modern tide’ compels W.B. Yeats in his poem ‘The Statues’ to search alternative measures from other art forms. Describing ‘the lineaments of a plummet-measured face’, the poem aligns itself formally with solidity and precision of sculpture, and rearticulates measurement in terms of spatial, rather than temporal, co-ordinates. Giorgio Agamben, for one, measured the ‘lineaments’ of a poem’s form by the tension between the line break and the sentence to define the lyric poem, a tension Jorie Graham described as ‘the pull from the end, the suction towards closure, and the voice trying (quite desperately in spots) to find forms of delay, digression, side-motions which are not entirely dependent for their effectiveness on that sense-of-the-ending, that stark desire’. These ‘side-motions’ of a poem’s lineation resist the linearity of the sentence, using ‘forms of delay’ not to heighten suspense, but to bypass conventional expectations of closure.

Although Eliot, in ‘Tradition and the Individual Talent’, may have claimed that poetry can only be ‘measured’ against the ‘standards of the past’, his contention has to accommodate increasingly diverse and contested versions of both the past and the present. We thus welcome papers analysing the disparate measures modern poetry takes in a period of accelerated change, but also in a period symptomizing pervasive continuities in structures of privilege: papers investigating how we might count out poetry, but also how ‘measured language’ and its different uses might make poetry count. 

Areas of investigation may include, but are not limited to

  • form and genre
  • scale in poetry
  • brevity and length
  • poetic sequences
  • units of measurement in poetry
  • form, proportion and balance
  • the immeasurable and/or non-measurable in poetry
  • beginnings and ends
  • poetry and other art forms: music, visual arts and/or craft; ekphrasis
  • poetry and architecture
  • poetry and mathematics
  • modernism and canon formation; periodization

 

Please send 300-word abstracts for 20-minute papers or panel proposals by 1st February 2016 to poeticmeasures@gmail.com, and a separate biography of no more than 100 words. The biography should be written in the third person. Please attach the biography and abstract as two separate Word documents.

Poetic Measures_CFP

Poetic Measures Poster

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CFPs Uncategorized

CFP for TSE at ALA

The T. S. Eliot Society will sponsor two sessions at the 2016 annual conference of the American Literature Association, May 26-29, 2016, at the Hyatt Regency San Francisco. 

 

Please send proposals (up to 250 words), along with a brief biography or curriculum vitae, to Professor Emerita Nancy K. Gish (nancy.gish@maine.edu.) Submissions must be received no later than January 15, 2016.

 

For information on the ALA and its 2016 meeting, please see the ALA website at www.americanliteratureassociation.org

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CFPs Uncategorized

CFP: Forgotten Geographies in the Fin de Siècle, 1880-1920 (Birkbeck, UoL, 8-9 July 2016)

Dear Colleagues,

 

Proposals are invited for the international conference to be held at Birkbeck, University of London, on 8-9 July 2016, on Forgotten Geographies in the Fin de Siècle, 1880-1920. The deadline for abstracts is 20 December. Please find attached the CFP and visit the webpage for more info:

https://forgottengeographies.wordpress.com/

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CFPs Uncategorized

CFP: H.D. panel at American Literature Assn, San Francisco, May 2016 (deadline Jan 26, 2016)

The H.D. International Society is sponsoring a panel at the American Literature Association conference, May 26-29, 2016, at the Hyatt Regency in San Francisco, CA. The call for paper proposals is open ended, although we are particularly interested in projects that take advantage of the recent availability of H.D.’s later memoir writing and fiction. Please send a brief paper proposal (250 words) along with a 1 paragraph bio to Rebecca Walsh, rawalsh@ncsu.edu, no later than January 26, 2016.

Here is a link to the ALA site for more information about the upcoming convention: http://alaconf.org/

Best,

Rebecca Walsh and Celena Kusch, co-chairs, The H.D. International Society