XI INTERNATIONAL ALDINGTON SOCIETY 

New deadline: 23 January 2020

 

Katherine Mansfield: Germany and Beyond

Bad Wörishofen, Germany

21-22 March 2020

An international conference organised by the Katherine Mansfield Society

Hosted by the Bad Wörishofen Mayorality and Tourist and Spa Bureau

KEYNOTE SPEAKER: Dr Gerri Kimber

Sorbonne Nouvelle, Paris 3, France

CALL FOR ABSTRACTS

It is  well known that Katherine Mansfield’s first book of stories, In a  German Pension (1911), was  inspired by her eight months’ stay in the Bavarian spa town of Wörishofen in 1909 at the age of 21, but the importance of Germany and all things German in her writing has not been explored in any depth until recently. Although Mansfield did not return to Germany in the same way as she kept visiting France, her spiritual home in Europe, Germany continued to hold a fascination for her long after her 1909 sojourn, and myriad associations can be traced in her fiction as well as her notebooks and letters.

This two-day conference aims to open up to new scrutiny the impact of Germany on Mansfield’s work and life: its language, peoples and cultures. These range from the setting in Munich of her story ‘The Little Governess’, to her passion for music by composers such as Beethoven, Bruch, and Wagner, her love of the poetry of Heinrich Heine, and literary influences such as the fairy tales of the Brothers Grimm. Indeed, her longing for her German classes at Queen’s College in Harley Street because of the dashing Professor Walter Rippmann, reveals her early devotion. Another influence on her love of German and Germany is the writing of her cousin, the writer Elizabeth von Arnim, widow of Graf Henning von Arnim-Schlagenthin, a member of the Prussian aristocracy, and her friendship with Elizabeth, which developed during her stay in Montana,  Switzerland in the last two years of her life.

It is entirely fitting that this conference will be held in Bad Wörishofen, a Bavarian spa town that honours Mansfield as one of its most famous residents and a significant cultural icon in fostering local civic pride and identity. Last year, on the occasion of her 130th birthday, a specially commissioned statue of Katherine Mansfield gazing out over the Iceberg Pond in the Spa Park, was unveiled.

The Katherine Mansfield Society is therefore delighted to host, together with the Bad Wörishofen Mayorality and Tourist and Spa Bureau, a conference that aims to explore and celebrate what Germany meant to Mansfield and what it points to in her vision of the world.

Suggested topics for papers might include (but are not limited to):

• Wörishofen and artistic inspiration:  Mansfield’s In a German Pension 
• Bavaria and the German Pension stories: nationality, gender and satire
• German poetry in the works of Mansfield (e.g. Heinrich Heine)
• German music: classical and modernist
• German art, architecture and visual culture in Mansfield’s writing
• German/Prussian family connections: Elizabeth von Arnim
• Mansfield, travel, Germany and ‘beyond’
• Mansfield and fairy tales
• The gothic and fantastic:  Germanic sources and influences
• The legacy of Mansfield in German writing today
• The German reception of Mansfield’s works
• German influences in Mansfield’s education (e.g. Walter Rippmann)
• Translating into German / German translations of Mansfield’s work
• Teaching and studying Mansfield in Germany today
• Mansfield, Sebastian Kneipp, naturopathy and other holistic therapies
• The Germans and Germany as sources for Mansfield’s imagination
• Mansfield and Frieda von Richthofen (wife of D. H. Lawrence)
• Mansfield as icon and inspiration for German cultural production

NB: All other topics will be considered 

Abstracts of 200 words, together with a 50-word bio-sketch, should be sent to the conference organisers:

Dr Delia da Sousa Correa (Open University, UK),

Dr Gerri Kimber (University of Northampton, UK),

Monika Sobotta (Open University, UK)

and Professor Janet Wilson (University of Northampton, UK)

 at kms@katherinemansfieldsociety.org

Submission deadline: 23 January 2020

CALL FOR PAPERS

The 8th Forum of Critical Studies
Asking Big Questions Again

24 – 25 January 2020
Venice, Italy

Deadline for Paper Proposals: 5th of December 2019

 

The 8th Euroacademia Global Forum of Critical Studies aims to bring into an open floor the reflexive and questioning interaction among academics, intellectuals, practitioners and activists profoundly concerned with evaluative understandings of the world we’re living in. The focus of the forum is to initiate an arena where no question is misplaced and irrelevant as long as we acknowledge that evaluation, critical thinking and contestation are accessible trajectories to better understand our past, present and alternative scenarios for the future.

Conference Description
Some say that the 21st Century or modernity altogether made humans more concerned with doing rather than being. As the classical Greek civilization valued the most reflexive thinking as a form of freedom from natural necessities, contemporary times profoundly involve individuals and the imaginary accompanying social practices in a restless logic of consumption, competition and engagement that profoundly – or some would say, radically – suspends or indefinitely postpones the autonomous capacity of human beings to question and reflect upon the social order and the meaning of social practices. The fast advancement of the logic of post-industrial societies, the gradual dissolution of alternative models to the capitalist logic and a multitude of other alerting factors pushed ahead a global spread culture of one-dimensional productions of meaning that advances a closure rather than a constant reflexive re-evaluation of cultural/social practices.
Many alternatives at hand are often condemned to marginality or lost in the plural practices where everything goes as long as it’s part of an intellectual market. The ‘fatal strategies’ of post-industrial societies to keep individuals captive, busy and seduced by contingent social arrangements and economic practices minimized the questioning detachment required to evaluate and give meaning through reflexive criticism and unlimited interrogation. Various labels were given to our unfolding times from apocalyptic ones to some more comforting yet not by chance lacking some vital optimism. Despite a wide-spread discontent and suspicion towards the daily realities of our current societies, most of the big questions are often left outside by the self-involved active pursuit of an imagined well-being that is no longer transgressed by harsh critical evaluation of its meaning. The academic arena itself also advances, supports, integrates and promotes limited particular methodologies that generate an effect of mainstreaming and often keeps researchers or practitioners out of the battle-ground for big questions.
The ongoing economic crisis made reality even harsher and pushed ahead the need for more thinking as many habitual categories lost their meaning or relevance. New ways of thinking could transgress some inappropriate conceptions or misconceptions that preserve their centrality due to the mechanics of habits. This is a time when a call to thinking is well-placed. This is a call to arms for critical studies that promotes alternative, questioning and multi-dimensional thinking.

Panels

When it’s about critical thinking and critical studies there is intrinsically an unending open list of topics to be included. The 8th Euroacademia Forum on Critical Studies proposes the 5 sections (that are by no means exclusive):

• Theory/Philosophy
• Politics
• Cultural Studies
• Political Economy
• Arts, Literature, Film and Performance Studies

Papers on the following topics (and not only) are welcome:

Diagnostics of Our Times: Where Is the 21st Century Heading? ~ Our Societies Are As Good As It Gets: How to Escape the Closure of Meaning? ~ Consumerist Societies and the Captivity of Thinking ~ The Being/Doing Nexus ~ Assessing Models of Capitalism ~ Markets, Capital and Inequalities ~ The Remains of Individual Autonomy ~ How Plural Our Societies Truly Are? ~ Debating Ideal vs. Real Multiculturalism ~ Social Narcissism and Consumerism ~ The Role of Critical Thinking: Proposing Alternative Methodologies ~ Are There Any Alternatives to Capitalism Left? ~ Social Causes and the Pursuit of Social Beliefs ~ Protest and Social Change ~ Re-Thinking Revolutions ~ Hegemony and the Remaining Possibilities for Social Criticism ~ Loneliness and Isolation in the Era of Mass Communication ~ Living Low Cost: Values, Meaning and Market Exchange ~ Ideology and Other Dominant Narratives ~ Critical Economics ~ Post-Modernism and the Critique of Modernity ~ Marx and the 21st Century ~ Debating the End of Communism ~ Non-Oppositional Societies ~ Consolation, Complicity and Passivity Today ~ Who Still Waits For A Revolution? ~ C. Castoriadis and the Project of Autonomy ~ French Thinking and Alternatives for Thought ~ Eastern Europe and the Enrollment to the School of Capitalism ~ China and the Logic of Growth ~ Crises of Culture ~ Left and Right: Political Spectrums and Pluralism Re-Discussed ~ Art as an Exchange Value ~ Originality and Complacency ~ Literatures and Authors ~ Heroes and Heroines in Electronic Literature ~ Fiction and the Fictionalization of the Contemporary World ~ Film and the Persisting Hunger for Heroic Imagination ~ The Illusory Charity and Imagined forms of Contemporary Humanisms ~ The Growing Social Irrelevance of Philosophy ~ Replacement of the Logic of Becoming by the Logic of Earning ~ How Do We Look Back at Tradition? ~ Just Wars or Unjust Thinking? ~ The Myth of Cosmopolitanism ~ Facing the Self ~ Communication, Media and Simulacrum ~ Science, Pragmatics and Vocation: Who Pays What We Can’t Sell? ~ Is There Still a Postmodern or Any Other Kind of Condition? ~ Post-Marxist Way of Looking at Facts ~ The School of Suspicion and Evaluative Thinking ~ Feminist Readings of Our Contemporary World ~ Post-Colonialism and the Refurbished Other(s) ~ Theory and Power ~ Queer Theory and Living After the Sexual Revolution ~ Subaltern Theory

For complete information before applying see full details of the conference at:
http://euroacademia.eu/conference/8fcs/

You can apply on-line by completing the Application Form on the conference website or by sending a 300 words titled abstract together with the details of contact and affiliation until 5th of December 2019 at application@euroacademia.org.

You know how

I feel about painters. I sometimes think poetry

only describes.

Frank O’Hara, ‘John Button Birthday’ (1957)

The supposed similarity between poetry and painting was famously characterized in Horace’s ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?

The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.

Co-organisers Drs Jasmine Jagger and Jack Parlett invite you to share your thoughts on this relationship for a one-day conference in Oxford. This symposium seeks to ignite and develop critical and trans-historical conversations about the interplay between the sister arts. Contributors may consider, but need not be limited to:

• Ekphrasis and ekphrastic writing
• Illustration and other “composite” modes
• Co- and inter-disciplinarity
• Gender politics
• Narrative, time and temporality
• Tone, texture, and style
• Questions of form
• Issues of historicity
• Interrelations between poetry, painting and other forms (e.g. photography and film)
• Theories of the visual and the gaze
• Interpretation and revisionism
• Colour, mood, affect, and play

The conference’s plenary speakers have been confirmed as Professor T. J. Clark and Dr Kathryn Murphy.

Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.

Please send proposals to jack.parlett@univ.ox.ac.uk and jasmine.jagger@ell.ox.ac.uk. The deadline for submissions is 30 November 2019. The one-day conference will take place on 23 March 2020 at the Faculty of English, Oxford.

For more information, please visit www.poetryandpainting.co.uk. We welcome you to disseminate this CFP widely.

This conference is organised in association with the Faculty of English, Oxford.

The fifteenth annual conference of the British Society for Literature and Science will be held at the University of Sheffield from Wednesday 15 April until Friday 17 April 2020.

Keynote speakers will be Dame Jocelyn Bell Burnell (Oxford), Professor Martin Willis (Cardiff), and Professor Angela Wright (Sheffield).

The BSLS invites proposals for 20-minute papers, panels of three papers, or special roundtables on any subjects within the field of science (including medicine and technology), and literatures in the broadest sense, including theatre, film, and television.

The conference will include a visit to the Alfred Denny Zoological Museum, and the Turner Museum of Glass will host a keynote lecture and the wine reception.

Please send an abstract (200 words) and short biographical note (50 words) to Katherine Ebury and Helena Ifill at shefbsls2020@gmail.com by no later than 18.00 GMT on Thursday 12^th of December. Please include the abstract and biographical note in the body of the email.

The conference fee will be waived for two graduate students in exchange for written reports on the conference, to be published in the BSLS Newsletter. If you are interested in being selected for one of these awards, please mention this when sending in your proposal. To qualify you will need to be registered for a postgraduate degree at the time of the conference.

Information concerning registration fees and local hotels will be forthcoming.

Membership: conference delegates will need to register/renew as members of the BSLS (annual membership: £25 waged/ £10 unwaged).