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Events Postgraduate

Modernist Magazines Research Seminar – Tuesday 4 November

The next session of the Modernist Magazines Research Seminar will take place on Tuesday 4 November at 6pm, in room G37 (ground floor) of Senate House, London. Catherine Clay, author of British Women Writers 1914-1945 (2006), will be speaking on ‘Time and Tide, Feminist Periodical Networks, and Cultures of the New’. Please see below for an abstract and speaker biography. The seminar is open to everyone interested in modernism. For more information, please email modernist.magazines.ies@gmail.com or visit http://events.sas.ac.uk/ies/seminars/387/Modernist+Magazines+Research+Seminar With best wishes, Charles Dawkins (University of Oxford) Aimee Gasston (Birkbeck, University of London) Chris Mourant (King’s College London) Natasha Periyan (Royal Holloway, University of London) ‘Time and Tide, Feminist Periodical Networks, and Cultures of the New’ In a discussion of the ‘Anglo-American feminist press and “emerging modernities”’ Lucy Delap and Maria DiCenzo warn of the ‘problems and pitfalls of modernism as a critical paradigm, as modernist studies expands into the field of print culture.’ (In Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms, p. 49) Literary and cultural approaches privileged in modernist studies provide a limited lens, they argue, for comprehending the ‘new’ in forms of print media that had other social and political priorities, and feminist periodicals show us that ‘it is crucial to look for and understand emerging modernities […] from a broader and more flexible perspective and critical context.’ (52) This seminar will consider the implications of these arguments for ‘modernist magazines research’ with reference to the modern, but not modernist, magazine Time and Tide. Locating this magazine within an overlapping set of feminist periodical networks, the seminar aims to address questions of the modern, modernity and the ‘new’ beyond the parameters of literary modernism, and to recover a neglected history of women’s modern print media. Author bio: Catherine Clay is Senior Lecturer in English at Nottingham Trent University. She is author of British Women Writers 1914-1945 (2006) and is currently completing a monograph on the feminist periodical Time and Tide. Supporting material: Lucy Delap and Maria DiCenzo, ‘Transatlantic Print Culture: The Anglo-American Feminist Press and Emerging “Modernities”’, in Ann Ardis and Patrick Collier (eds.) Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms (Basgingstoke: Palgrave, 2008), pp. 48-65. Catherine Clay ‘“WHAT WE MIGHT EXPECT – If the Highbrow Weeklies Advertized like the Patent Foods”: Time and Tide, Advertising, and the “Battle of the Brows”’, Modernist Cultures 6:1 (2011), pp. 60-95. Please note: consulting this material is not an absolutely prerequisite for attending the seminar. However, all supporting material will be sent to those on the Modernist Magazines Research Seminar mailing list. To sign up to our mailing list, please email modernist.magazines.ies@gmail.com

Categories
Events Postgraduate

Literature and Material Culture seminar series, Oxford

In Michaelmas Term 2014 the English Faculty at the University of Oxford (click here for a map) will be hosting a cross-period, interdisciplinary seminar series on literature and material culture. The seminars will take place on alternate Tuesday evenings at 5.15pm in the Faculty’s History of the Book Room throughout the autumn term. Drinks and discussion will follow each seminar.

Please see the attached poster and literaturematerial.wordpress.com for more information, or contact Claire Johnstone and Hannah Ryley at literaturematerial@gmail.com

Across the term, established academics (including Dr Adam Smyth, Dr Paula Byrne, and Dr Vike Plock) and graduate and visiting speakers will explore three main threads: material texts, clothing in literature, and object-oriented literary biography. We hope to see you there!

Tues 21 Oct (Week 2) Dr Adam Smyth (University of Oxford)

– Fallen books in early modern England: or, what can we do with errors in print?

Tues 4 Nov (Week 4) Dr Paula Byrne (University of Oxford)

– The Life of Small Things: researching and writing an object-based biography of Jane Austen

Tues 18 Nov (Week 6) Dr Vike Plock (University of Exeter)

– Edith Wharton, fashion, and the fictions of modernity

Tues 2 Dec (Week 8) Graduate & Visiting Speakers:

Beatrice Montedoro (University of Oxford)

– Reading early modern drama: the ‘material trace’ left in commonplace books

Dr Kate Macdonald (Sassoon Visiting Research Fellow)

– The missing bodies of the First World War

All at 5.15pm in the History of the Book Room,

English Faculty, University of Oxford

Categories
CFPs Events Postgraduate

CFP: EMERGENCE Symposium- 4th Dec 2014, Durham University

Kaleidoscope, Durham’s postgraduate interdisciplinary journal, is organising a symposium at Durham Castle on the 4th of December 2014

 

A key feature of Kaleidoscope is that it embodies and connects diverse subject areas in a single publication, whether in the Arts and Humanities, the Sciences, or the Social Sciences. This symposium is an excellent opportunity to communicate concepts and ideas to those in other fields.

The symposium is on the theme of ‘Emergence’. Suggestions include, but are not limited to:

  • Emergency, Tipping Points and Fragility
  • Emergence of Genre
  • Emergent Technology and Systems
  • Emergence, Novelty and Creativity
  • Emergent Organisations, Orders, Structures and Patterns
  • Emergence and Evolution

More information on possible approaches can be found at:

www.dur.ac.uk/ias/themes/emergence

For this one-day symposium, we are seeking papers from postgraduate students.  We welcome material of individual or collaborative work for presentations of 15 to 20 minutes. Lunch and refreshments provided.

Please send abstracts (max. 300 words) before 1st November 2014 to editor.kaleidoscope@durham.ac.uk.

Kaleidoscope will encourage and support speakers to submit articles developed from their presentations for publication in the next issue of the journal.

Enquiries should be sent to editor.kaleidoscope@durham.ac.uk

Facebook:  http://www.facebook.com/JournalKaleidoscope

Twitter: @Kaleidoscope_J

Categories
Events Postgraduate

Life-Writers of London

The following series is for postgraduates and early career researchers; this autumn season has a particular focus on modernist writers…
Life-Writers of London
In conjunction with the King’s College London Centre for Life-Writing Research
Life-Writers of London is a monthly colloquium for postgraduates and early career researchers to engage in lively debate touching upon contemporary and interdisciplinary life-writing topics. The three sessions in each term will feature a pairing of a speaker and selected short readings. In our discussions we will explore the craft and practice of life-writing as well as critical modes of reading. The sessions will last approximately an hour and a half, with wine and nibbles provided. Afterwards, join us for informal conversation over burritos and drinks at Benito’s Hat!
The autumn term speakers will be:
Monday 6 October, 18.00-19.30
With Susie Christensen (King’s Cultural Institute)

Please note room change to K0.16, King’s Building, Strand Campus

In this talk Susie Christensen will explore representations of life in both text and images, asking what the difference between these two media might be when it comes to depictions of the self in the work of three female writers. The starting point will be the work of Beryl Bainbridge (1932-2010), who fictionalised and distorted her own life experiences in both novels and paintings. From here, working backwards in time, the work of Anais Nin (1903-1977) and Virginia Woolf (1882-1941) will be considered, with particular exploration of Woolf and Nin’s self-fashioning in both diaries and photographs.
 
Additional dates for the diary… 
Monday 3 November, 18.00-19.30
‘“Endless talk”: the counterculture & the interview’
With Becky Roach (King’s College London)
Please note room change to K0.16, King’s Building, Strand Campus
Monday 1 December, 18.00-19.30
‘A Biographical Reading of Trenches: St. Eloi (As Abbreviated from the Conversation of T.E.H)
With Christos Hadjiyiannis (University of Oxford)

Please note room change to K0.16, King’s Building, Strand Campus

It is our hope that Life-writers of London will spark a further dialogue amongst young scholars and institutions about ongoing topics in contemporary life-writing. We welcome postgraduates and early career researchers writing and/or working across London and the UK.
Oline Eaton
PhD candidate, KCL
King’s College London Centre for Life-Writing Research
Nanette O’Brien
PRS DPhil candidate, Wolfson College, Oxford
Oxford Centre for Life-Writing
Categories
Events Postgraduate

Beckett Week – Reading University, 1-4 October 2014

Reading Beckett Week runs from Wednesday 1st
October to Saturday 4th October 2014.

The week consists of an exhibition and series of events to showcase Reading
University’s internationally renowned collection of manuscripts from the
Nobel Prize-winning writer Samuel Beckett (1906-1989). The exhibition will
display the recently acquired notebooks for Beckett’s novel Murphy
alongside a wide range of fascinating supporting material. There will also
be a public lecture by Professor Dan Gunn, editor of the multi-volume
Letters of Samuel Beckett, a free two-hour workshop introducing the
University’s Beckett archive and a day-long advanced seminar on Beckett’s
work. All events are open to the public.

Exhibition: Samuel Beckett in London – The Murphy Notebooks Wednesday 1st
October to Saturday 4th October. Museum of English Rural Life, Redlands
Road, Reading. Free. Opening Reception 5-7pm on Wednesday 1 October. All
welcome.

Although we often associate Samuel Beckett with Paris or Dublin, the time
he spent in London as a young man was decisive in his emergence as a major
writer. Away from familiar networks of friends he was forced, as never
before, back on his own resources, walking for miles through the city or
spending long hours in galleries and the British Library. Eventually he
poured all his reading, looking and thinking into his first great novel
Murphy. This exhibition of manuscripts, drawings, notebooks and other items
from Samuel Beckett’s stay in London between 1934 and 1935 includes
material previously unseen by the public.

Manuscript Workshop : Introducing the Archive Thursday 2nd October 2-4pm
Museum of English Rural Life, Redlands Road, Reading. Free. Booking
essential.

In this two-hour workshop, we will investigate how studying Beckett’s
drafts and manuscripts, his personal correspondence, and his reading notes
on literature, philosophy, psychology and the visual arts can help enrich
our understanding of one of the most important writers of the
twentieth-century. Using the composition of Beckett’s first published novel
Murphy (1938) as a case study, participants will be given access to a wide
range of unpublished materials including the short story ‘Lightning
Calculation’ (1934), the ‘Whoroscope’ notebook (1932-39), and the six
Murphy notebooks (1935-36).

Public Lecture: Professor Dan Gunn (American University of Paris) –
‘Samuel Beckett Through his Letters 1957-1965’

Friday 3rd October at 5.30pm, followed by a reception. Minghella Building,
Whiteknights Campus, University of Reading. Free. Booking essential.

Professor Gunn will read from and discuss the third volume of The Letters
of Samuel Beckett, of which he is an editor. The letters in this volume
were written between 1957 and 1965, an era that sees Beckett more and more
involved in theatre and production of his own plays, even while he is
determined to return to writing prose. Through his work with BBC radio,
Beckett meets Barbara Bray, who becomes his chief correspondent for this
era, and with whom he shares his work in progress with an uncharacteristic
openness. Pulled between his ever-increasing public success and his need
for the privacy required by writing, Beckett writes letters that are
marvellously expressive of his ambivalent attitude towards his own work and
the fame it has brought him.

The Beckett International Foundation Research Seminar 2014

Saturday 4th October from 10am Museum of English Rural Life, Redlands Road,
Reading. £20 waged,
£15
unwaged. Includes lunch and refreshments. Booking essential. Speakers: John
Pilling and Andrew Nash, Helen Bailey, Judith Wilkinson and Anthony
Paraskeva.

For booking please contact:

Conor Carville on c.carville@reading.ac.uk to book for the workshop and/or
lecture. Mark Nixon on m.nixon@reading.ac.uk to book for the Beckett
Seminar.

Categories
Events Postgraduate

London Modernism Seminar – 4th Oct

The first London Modernism Seminar of 2014-15 will take place on Saturday 4th October in Room 349 (third floor) of Senate House at 11am. We are very pleased to welcome Randall Stevenson and Elza Adamowitz as our first speakers. The titles of their papers are below and I will circulate abstracts later in the week.
Randall Stevenson (Edinburgh), ‘”Innumerable Circles. . . Chaos and Eternity”: Conrad, Modernism and the Maritimes’
Elza Adamowitz, (Queen Mary University of London), ‘Surrealism’s Utopian Cartographies: Off the Map’
The seminar is open to everyone interested in modernism and you can find our full programme for this year on the Institute of English Studies website: http://events.sas.ac.uk/ies/seminars/53/Modernism+Seminar You can also find directions to Senate House on their contact page: http://www.ies.sas.ac.uk/about-us/contact-us
Please do advertise the seminar to any colleagues or postgraduate students who may be interested in attending. We are especially keen to encourage newly enrolled MA and PhD students to come along.
Best wishes,
Suzanne Hobson, Queen Mary, University of London, s.hobson@qmul.ac.uk 
Tim Armstrong, Royal Holloway, University of London, t.armstrong@rhul.ac.uk
David Ayers, University of Kent, David Ayers, dsa@kent.ac.uk
Rebecca Beasley, Queen’s College, Oxford, rebecca.beasley@ell.ox.ac.uk
Helen Carr, Goldsmiths, University of London, h.carr@gold.ac.uk
Categories
Events Postgraduate

Literature and Visual Cultures Research Seminar, Thursday 2 October

Literature and Visual Cultures Research Seminar, Thursday 2 October, 6 pm
11 Bedford Square, London WC1B 3RA (Royal Holloway’s central building), Room G3

We are pleased to have organised the next session of the Literature and Visual Cultures Research Seminar in collaboration with Art Writing Writing Art, a Bristol-based research group for those interested in the intersections between art, writing and art history.

Our interdisciplinary panel will include papers on art writing from:

Kevin Brazil, ‘Samuel Beckett and the Histories of Art’

Henry Mead, ‘T. E. Hulme and Abstraction’

Sam Rose, ‘Inference and Intention in Formalist Art Writing: Lessons from Michael Baxandall’

See our website for abstracts
http://literatureandvisualcultures.wordpress.com

Kevin Brazil is a DPhil candidate in English Literature at New College, University of Oxford, working on a thesis on the relationship between postwar fiction and visual art. He has articles published or forthcoming in the Journal for Modern Literature and Modernism/modernity, and is a contributing editor on the Beckett Digital Manuscripts Project.

Sam Rose is a Research Fellow at Peterhouse, Cambridge. He is currently completing a book on art writing, aestheticism, and art theory in twentieth-century England.

We hope to see you there.

Sarah Chadfield and Sophie Oliver
Royal Holloway, University of London

Categories
Events Postgraduate

Event: Northern Modernism Seminar, 14 November

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The next Northern Modernism Seminar will be on the theme of

Modernism and Textual Scholarship

It will be held in the Sustainability Hub at Keele University

on Friday 14 November 2014

The event will feature the public launch of the

Richardson Editions Project.

Jo Winning (Birkbeck), ‘Dorothy Richardson: Textual Traces’
Wim Van-Mierlo (Institute for English Studies), ‘Yeats’ Manuscripts: Processes of Composition’
Daniela Caselli (Manchester), ‘Dante’s Pilgrimage in Dorothy Richardson’
Categories
Events

Oscillate! Metamodernism and the Humanities – Glasgow, Tuesday, September 16th, 2014

Oscillate!

Metamodernism and the Humanities

An Interdisciplinary Conference on Critical, Creative and Cultural Practice.

Tuesday, September 16th, 2014

University of Strathclyde; Confucius Room, Lord Hope Building; 141 St James Road, Glasgow

facebook.com/OscillateStrathclyde : @OscillateStrath

Keynote speaker: Dr Timotheus Vermeulen, assistant professor in cultural studies and theory, University of Nijmegen, editor of Notes on Metamodernism

‘Metamodernism displaces the parameters of the present with those of a future presence that is futureless; and it displaces the boundaries of our place with those of a surreal place that is placeless. For, indeed, that is the ‘‘destiny’’ of the metamodern wo/man: to pursue a horizon that is forever receding.’
(Notes on Metamodernism, Timotheus Vermeulen and Robin van den Akker, 2010)

The postmodernism of the period following the Vietnam War is presumed dead, or at best dormant, no longer the vanguard. So what comes next? What are the defining characteristics of cultural logic post-9/11, post-Lehman Brothers? One of the most compelling interventions in the post-postmodernism debate is metamodernism, an increasingly contested and exasperating matrix of critical theory nominalism encompassing theories such as altermodernism and neomodernism.

The Journalism, Creative Writing and English Literature postgraduate students at the University of Strathclyde are pleased to announce a new research symposium uniting emerging work in the arts and humanities to explore the concept of metamodernism. This event is open to Postgraduate and Early Career Researchers or scholars working in any area of the arts, humanities, information sciences or social sciences. We are delighted to be joined by Dr Timotheus Vermeulen, who will deliver an opening lecture on metamodernism and offer concluding responses to the day’s discussion.

Deriving from Plato’s term metaxy, meaning ‘in between’ or ‘the movement between opposing poles’, metamodernism is offered by cultural theorists Timotheus Vermuelen and Robin van den Akker to describe a “structure of feeling” which departs from the “plenty, pastiche and parataxis” of postmodernism in favour of a state of oscillation between the idealism and optimism of modernism, and the cynicism and doubt of postmodernism: “It yearns for a truth it knows it may never find, it strives for sincerity without lacking humour, it engages precisely by embracing doubt.” From music to film, from architecture to journalism, the postmodernist urge to subvert and deconstruct has given way to a sincere desire to reinvent, reconfigure and create something new from the scraps of postmodernist decay.

Categories
Events

Shame and the Act of Writing: A One Day Symposium – Warwick, Friday 19th September

Shame and the Act of Writing: A One Day Symposium
Friday 19th September
Millburn House (A0.26/28), University of Warwick
 
You are cordially invited to join us for this one day symposium which brings together writers from across the disciplines to reflect on the place of shame in different practices of modern(ist) writing.  Our speakers include:
 
Geoffrey Gilbert (Paris), author of Before Modernism Was: Modern History and the Constituencies of Writing
John Goodby (Swansea), author of The Poetry of Dylan Thomas: Under the Spelling Wall
Denise Riley (UEA), author of Am I That Name? and Impersonal Passion
And our themes will include:
  • the place of shame in the ‘affective turn’ within the Humanities and Social Sciences
  • the cultural configurations of shame and writing around questions of class, gender, sexuality, and ethnicity
  • the translation of shame across linguistic and cultural borders
  • shame and new media practices, especially the negotiation of the private/public spheres  
  • the shame of reading forbidden texts
  • shame and plagiarism (or the writing of borrowed words)
  • the writer’s shameful practices (e.g. writer’s block; interminable editing and re-drafting; the abandonment or destruction of writing; and the anxieties of ‘confessionalism’ or ‘impostureship’).
 
To register, please follow the links from this page www.warwick.ac.uk/shameproject