Categories
CFPs

Eudora Welty and Modernism (ALA 2016, San Francisco)

Call for Papers:  Eudora Welty and Modernism (American Literature Association, San Francisco, May 26-29, 2016)

This panel will investigate Eudora Welty’s relationship with modernisms–regional, national, transnational, or global. Papers welcome on any aspect of the subject: the extent to which her work (fiction, nonfiction, photography) is shaped by a modernist aesthetic, modern or modernist temporalities and spatialities in Welty’s work, fragmentation and discordance in the work or the career, shifts in voice and perspective within specific texts or across her career in response to modernity or modernism, ruins as modernist trope in her writing and/or photography, modernity and loss, urbanization and/or urbanity, the trace of Europe or European modernism in her work.

Please send proposals of 300-500 words to Professor Julia Eichelberger at EichelbergerJ@cofc.edu by January 10, 2016.

Categories
Registration open

Comp Lit & Globalisation, Birmingham, Saturday 24 October

The Northern Comparative Literature Network Presents:
Comparative Literature and Globalization Today

A one-day conference
Saturday 24 October

The School of English
Birmingham City University
The Curzon Building
4 Cardigan Street
Birmingham, B4 7BD

Confirmed keynotes:

Prof. Philip Leonard (Nottingham Trent University)
Dr. Maike Oergel (University of Nottingham)

The Northern Comparative Literature Network (NCLN) is a platform for scholars in the midlands and the north of the UK who study literature across boundaries of language, culture and nationality.

**Attendance is free, but places are limited.** Please book by contacting Tom Knowles thomas.knowles@bcu.ac.uk

For information about NCLN, please contact Peter Sjølyst-Jackson Peter.Jackson@bcu.ac.uk Follow us on Twitter @NorthernCompLit
Programme:

9.30-10.00: Registration

10.00-11.15: Keynote 1

Philip Leonard (Nottingham Trent University), ‘A Literature of the World’

11.15-11.30: Coffee

11.30-1.00: Panel 1: Globalisation, Translation and Testimony

Kirsty Hemsworth (University of Sheffield), ‘Translating in/as Aftermath: A comparative approach to 9/11 fiction in translation’
Olga Castro (Aston University), ‘The politics of self-translation in a globalised market: author-translators and the stateless literatures of Spain’
Paola Botham (Birmingham City University), ‘Testimonial Theatre and Globalisation: A Case Study’
1.00-2.00: Lunch
2.00-3.30: Panel 2: Global, Transnational and Postcolonial Spaces
Christinna Hobbs (Liverpool John Moores), ‘Global Perspectives, Peripheral Identities: Cultural Nationalism and the Journey to Independence in the North Atlantic’
Maryam Farahani (University of Liverpool), ‘Anatolia, Russia, Persia: The Challenge of “Triangular Otherness” for the West’
Juliette Taylor-Batty (Leeds Trinity University), ‘Challenging originals: modernism and translational composition’
3.30-3.45: Coffee
3.45-5.00: Keynote 2
Maike Oergel (University of Nottingham), ‘Zeitgeist – how to make ideas travel?’
Categories
CFPs

CFP “Without Borders” Archives, Libraries, Museums and Special Collections (ALMS) 2016

We are pleased to announce the ALMS Conference 2016 Call for Papers. Deadline for proposals is 8 January 2016:

WITHOUT BORDERS…

Archives, Libraries, Museums and Special Collections (ALMS) 2016, an International LGBTQ+ Conference hosted by London Metropolitan Archives, Bishopsgate Institute and the Queer London Research Forum at the University of Westminster.

Dates: 22 – 24 June 2016 Location: London

Background

ALMS is an international conference focussed on the work by public, private, academic, and grassroots organisations which are collecting, capture and preserving archives of LGBTQ+ experiences, to ensure our histories continue to be documented and shared. The conference began in Minnesota in 2006 when the Tretter Collection and Quatrefoil Library co-hosted the first LGBT ALMS Conference. The last conference took place in Amsterdam in 2012 and saw archivists, activists, librarians, museums professionals and academics from around the world coming together to share success stories and discuss challenges involved in recording LGBTQ+ lives.

CALL FOR PAPERS 2016

To reflect our emerging global community, the 2016 conference is titled ‘Without Borders’. Papers are invited from across the heritage, cultural, academic and grassroots communities. Our aim is to generate a dialogue within the co-dependent fields of LGBTQ+ historical research and collecting, and share experiences, ideas and best practice through a programme of presentations and short talks that explore margins, borders, barriers and intersections, past and present. Topics may include, but are not limited to:
• Barriers –in accessing LGBTQ+ content within existing collections, and in collecting material from LGBTQ+ communities
• Intersections – collecting, cataloguing or researching subjects which share multiple / contrasting identities
• Margins – researching elusive or liminal subjects; learning, research or projects taking place outside formal institutions
• Connections – uniting individuals or communities across boundaries through heritage or research
• Border police – navigating the formal standards of the heritage sector, including official terms and language or constructions of identity

We invite 200 word abstracts offering informal 10-minute presentations that share work-in-progress or provide an introduction to new projects or research that address these themes.

We also invite 300 word abstracts for 20-minute papers or presentations exploring the themes in more detail.

We particularly welcome contributions from BME / QPOC (Black Minority Ethnic / Queer People of Colour) and Transgender communities, as well as from those living outside the UK and USA.

In order to encourage dialogue and share knowledge in LGBTQ+ histories and cultures, London Metropolitan Archives, Bishopsgate Institute and the Queer London Research Forum at the University of Westminster are delivering the ALMS conference 2016 on a not-for-profit basis. The conference is not being funded as part of a wider project and the organisers are unable to cover speakers’ costs except in cases where keynote or invited speakers are prevented from attendance for financial reasons. A limited number of bursaries for attendees will be made available at the beginning of 2016.

Abstract deadline: Friday 8 January 2016 Abstracts to: jan.pimblett@cityoflondon.gov.uk

Further details: https://www.facebook.com/LGBTQALMS?fref=nf

Categories
Uncategorized

MSA 17 Schedule

On behalf of the MSA 17 Conference Organizing Committee, I am happy to present the schedule for Modernism and Revolution (Boston, November 19-22, 2015). The schedule is also available on the conference website, should you have trouble opening the attached PDF.

This version of the schedule contains a considerable number of revisions from the previously circulated draft. Please alert us to any errors, particularly double-bookings, by emailing msaseventeen@gmail.com as soon as possible. We will be sending the program to print early next week. Please note that we are not able to make any additional changes to accommodate delegates’ scheduling preferences at this time.

MSA 17 Conference Organizing Committee:

Marjorie Howes, Carrie Preston, Paige Reynolds

Graduate Student Assistants:

Trista Doyle, Linda Martin, Hannah Simpson, Nell Wasserstrom

———————————-
MSA17FinalProgram
Categories
CFPs

CFP: Cosmopolis and Beyond

Cosmopolis and Beyond

 Literary Cosmopolitanism after the Republic of Letters

Trinity College, Oxford (18-19 March 2016)

Cosmopolitanism, derived from the ancient Greek for ‘world citizenship’, offers a radical alternative to nationalism, asking individuals to imagine themselves as part of a community that goes beyond national and linguistic boundaries. Recent years have seen an explosion of interest in cosmopolitanism in the humanities and social sciences, especially within philosophy, sociology and politics. Cosmopolitanism, however, has also exercised a shaping influence on modern literary culture. It is well known that during the Enlightenment it found an embodiment in the Republic of Letters. Its evolution thereafter included uneasy alliances with the idea of Empire in the nineteenth century, and with the experiments of the international avant gardes and modernist circles, and the phenomenon of globalisation in the twentieth. Through these, and more, cultural formations cosmopolitanism has given rise to new ways of writing, reading, translating and circulating texts; these processes have, in turn, led to new understandings of individual and national identity, new forms of ethics and new configurations of aesthetic and political engagement. From Kant to Derrida, cosmopolitanism has in the course of history been seen as fostering peace and communication across borders. Far from being uncontroversial, though, it has also been attacked by those who have denounced its universalism as impossible and its social ethos as elitist.

This conference intends to explore different literary manifestations of the cosmopolitan ideal, broadly conceived, and its influence on modern literary culture. It seeks to tease out elements of continuity and rupture in a long history of literary cosmopolitanism that goes from the decline of the Republic of Letters to the era of globalisation. In order to do so, it aims to foster a dialogue between experts in different fields of literary studies (English, modern languages, comparative literature) and different historical periods.

Proposals are sought from all areas of literary studies, and cross-disciplinary and comparative approaches are particularly welcome. Possible angles on literary cosmopolitanism might include: translation; the media, transport and communication technologies; networks; migration and rootedness; nationalisms; provincialism; political and social spaces (city, nation, empire); places and institutions; emotions, gender and sexual identity.

Keynote address by Emily Apter (NYU).

Organised by Stefano Evangelista (Oxford).

Deadline for abstracts: 15 November 2015. Please send a title and 300-word abstract to the conference administrator, clement.dessy@gmail.com.

This conference is part of the AHRC-funded research project The Love of Strangers: Literary Cosmopolitanism in the English Fin de Siècle, led by Stefano Evangelista.

Dr Stefano Evangelista
Fellow and Tutor in English
Trinity College, Oxford, OX1 3BH
Tel: (01865) 287496

CFP Literary Cosmopolitanism

Categories
Registration open

Intimate Modernism, Uppsala University, 29-31 October

Dear colleagues,

It is my pleasure to invite you to the symposium Intimate Modernism, which will take place at Uppsala University, Thursday 29 to Saturday 31 October. The programme is now available on the symposium website: http://www.engelska.uu.se/Research/intimate-modernism.

Intimacy has become a key term in the academic discourse of this century. Across various disciplines, it has proved to be crucial in accounts of affective, political and ethical relations. Intimacy can no longer be seen as a merely private sphere of human life independent of socio-political realities; it is, rather, the very nexus in which private and public converge. Many of these intersections can be traced back to the first decades of the twentieth century, and the symposium Intimate Modernism provides a forum for inquiry into intimacy as a yet understudied dimension of modernist aesthetic and social practices. In attending to the radically new forms of intimate relations problematised in modernist writing, the symposium also explores the resonance of modernist intimacies in our own time.

If you would like to attend the symposium, which is free of charge, please register via the following link: https://www.akademikonferens.se/Intimatemodernism. Deadline for registration is Wednesday 21 October. There is a performance of Johannes Brahms’s Requiem in Uppsala Cathedral on Saturday 31 October, which some of the speakers will be attending. Tickets can be bought at

http://www.ticnet.se/event/johannes-brahms-requiem-biljetter/388665.

The symposium is hosted by the Department of English, Uppsala University, and forms part of a collaboration with the Department of English Literature, University of Glasgow. It is sponsored by Riksbankens Jubileumsfond and LILAe. For further information, please see the symposium website, or contact me at elsa.hogberg@engelska.uu.se.

All best wishes,

Elsa Högberg

Intimate Modernism, programme

Intimate Modernism, poster

Categories
Reading group

London Cantos Reading Group

The London Cantos Reading Group will meet on the below dates at the University of London’s Senate House to discuss individual sections of The Cantos of Ezra Pound. Attendance is free, everyone is welcome and wine and poetry will be provided. We meet at 18.00 on Friday evenings, room details will be available in reception.

Oct 9, Harry Gilonis, Independent Scholar, Canto 36

Nov 13, Michael Coyle, Colgate University ,Canto 88

Dec 11, Mary Ellis Gibson, University of Glasgow, Pound and India

Jan 22, Galateia Demetriou, University of Birmingham, Canto 30

Feb 12, Annabel Haynes, Durham University, Canto 20

March 11, Kent Su, University College London, University of London, Canto 49

May 13, Peter Howarth, Queen Mary University of London, Canto 101

Categories
CFPs

American Studies Conference in Turkey with Modernist Plenaries

Dear Colleagues,
 
I am pleased to invite you to the upcoming
1st International Biennial Symposium of American Studies—DEUSAS—organized
by the Department of American Studies at Dokuz Eylül University, Izmir,
Turkey, April 27-29 2016.
 
The symposium is open to a wide variety of disciplines and approaches with
the aim of discussing the Sacred and the Sublime in connection with the
United States. We encourage submissions about literature, culture,
religion, philosophy, politics, sociology, the visual arts, film and the
media in any strand of American studies. Proposals for twenty-minute
presentations should be submitted to deusamericanstudies@gmail.com by
November 13, 2015 at the latest. Submissions should include a 250 word
abstract in English and a short biographical description.
 
No registration fee will be required, though those who would like to
participate (whether as delegate or attendee) are expected to register
their names on our website, http://deusas.deu.edu.tr, or to contact the
Symposium Coordinator, Dr. Richard Parker at richard.parker@deu.edu.tr or
deusamericanstudies@gmail.com.
 
We look forward to welcoming you all to the beautiful city of Izmir!
 
Please feel free to distribute this to any colleagues or students you
think may be interested in participating.
 
Best wishes,
 
 
Dr. Richard Parker
Categories
CFPs

CFP: Object Emotions: Polemics

Object Emotions: Polemics
(April 15-16, 2016, Cambridge University)

Organizing Committee: Padma Maitland (UC Berkeley); Christopher P.
Miller (UC Berkeley); Marta Figlerowicz (Yale U); Hunter Dukes (U
Cambridge); Hannah Rose Woods (U Cambridge).

“Object Emotions: Polemics” continues a critical dialogue about new
directions in humanities research and theory that began at UC Berkeley
in 2013 and continued at Yale in 2015. This series of conferences is
inspired by the heightened attention to objects and emotions as new
points of entry into history, literature, art, architecture, area
studies, and the social sciences. Through focused attention on the role
of things and feelings, materials and affects, we aim to foster
interdisciplinary reflections about the intersections between thing
theory, affect theory, the histories of emotions, and new materialisms.

Papers presented at the two prior meetings addressed topics as varied as
the ennui of poetic syntax, the felt traces of Chinese calligraphy, the
mixing of pleasure and pain in the design of a nineteenth century girls’
school, and the politics of castration and swordplay in Quentin
Tarantino’s Kill Bill. These divergent projects were organized into
panels around common threads of questions related to spatiality,
temporality, personhood, cultural production, and historiography.

Object Emotions: Polemics seeks critical responses to the emergence of
these intersecting discourses. For example, how do objects and emotions
establish new intellectual grounds, complicate existing histories, and
help us question the assumptions that motivate our disciplines? What are
the limits to affect theories, object-oriented criticism, or speculative
realisms and their local applications? What are the social and political
origins of the current turns to emotions and objects? How do we account
for the newness of “new materialisms” and how might the use of such
theories change when we consider them within other contexts—cultural,
social, political? Do these theories extend certain critical biases or
discourses of power and how might we restore what has been left out, or
occluded by, these new critical turns? How do these approaches to
objects and emotions reflect broader struggles with the formation of
departments and academic institutions as such?

We welcome papers that address any of these questions, or related ones,
with reference to how we might complicate current models for using
affect studies, materialisms, or emotional histories in our respective
disciplines. We also welcome projects that situate these polemics in
relation to specific case studies or individual works of literature,
art, or architecture.

Please submit 250-word abstracts to Padma Maitland at
padmamaitland@berkeley.edu by November 10, 2015.  We will send responses
by December 15, 2015.  The conference itself will take place at
Cambridge University on April 15-16, 2016.

Categories
Postgraduate

Ali Smith, Vesna Goldsworthy, 9 Nov; 2015; Creative Responses to Modernism 2016

The King’s College London Centre for Modern Literature and Culture is pleased to announce that our 2016 Ivan Juritz Prize for Creative Responses to Modernism is now open.  The competition is open to postgraduate students from throughout the UK.  You are invited to submit texts (up to 2000 words), images, films (up to 15 minutes), digital artefacts, musical compositions (up to 12 minutes for up to two instruments or for electronics*).

Please do come along to our launch event for the 2016 competition:

Inventing the Modern Novel

Mon 9 November, 6.30-7.45pm, Edmond J Safra Lecture Theatre

Ali Smith and Vesna Goldsworthy in conversation with Lara Feigel

Acclaimed novelists Ali Smith and Vesna Goldsworthy will explore the influence of modernist literature on their own work and interrogate what it might mean to be influenced by modernism.  Is modernism more a period of early-twentieth century art or a set of styles?  If the modernist novel still exists today, is it necessarily formally avant-garde? Does it continue Virginia Woolf’s task of tracing ‘the atoms as they fall upon the mind in the order in which they fall’? Does it employ what TS Eliot termed ‘the mythical method’, as ‘a way of controlling, of ordering, of giving a shape and a significance to the immense panorama of futility and anarchy which is contemporary history’?

This discussion is free and will be followed by a drinks reception.  It is open to the wider public but 150 seats have been set aside for students eligible to enter the Ivan Juritz Prize for Creative Responses to Modernism.

To book please visit

http://www.kcl.ac.uk/artshums/ahri/eventrecords/2015-2016/CMLC/inventingmodernnovel.aspx

The Competition

In the early decades of the twentieth century writers, visual artists, filmmakers and musicians across the world competed to follow Ezra Pound’s injunction to ‘make it new’.  Whether artists were willing or resisting change – hurling themselves into the (often technological) future or hankering elegiacally after lost forms and ways of life – the first fifty years of the twentieth century saw an explosion of artistic production in all the arts.  Shaken up by two world wars, stirred by the invention of cinema, artists questioned what art was and could be and asserted its value in a fragmented yet increasingly interconnected world.

Postgraduate students are invited to submit their own creative responses to this moment of artistic explosion in whatever art form seems most appropriate. This might be a homage, pastiche or parody or could be a much freer (and less historical) engagement with modernism.  You might see yourself as continuing, challenging or simply evoking the modernist project. The judges are looking for originality and hope to be made both to think and feel. Entries should be accompanied by a paragraph (up to 150 words) explaining the work of art and its relation to modernism.

The prize is open to postgraduate students from across Britain and will be judged by our Advisory Board (Lisa Appignanesi, Michael Berkeley, Rachel Cusk, Dexter Dalwood, Alison Duthie, Juliet Gardiner, Jeremy Harding, Deborah Levy, Stephen Romer, Fiona Shaw).

The deadline for the prize is Monday 28 March 2016. Entries should be submitted to modern@kcl.ac.uk (or posted to Dr Lara Feigel, English department, King’s College London, Virginia Woolf Building, 22 Kingsway, London WC2B 6NR).

The three shortlisted entries will be published in the journal Textual Practice and on our website.  If a musical composition is shortlisted it will receive a concert performance before the prize-giving ceremony which will also be recorded and published on our website.  The winner will receive a year’s membership to the Tate (or the equivalent museum in the recipient’s home city) and all the shortlisted contestants will meet the Advisory Board at a dinner following the prize-giving ceremony in June 2015.

To see details of the 2015 winning entries and for more details about the prize see http://www.kcl.ac.uk/artshums/ahri/centres/cmlc/Competition.aspx

The Centre for Modern Literature and Culture was founded in September 2013 and is currently engaged in a project called ‘Inventing the Modern’. We aim to provide a hub for investigating modernist culture in London, initiating conversation and collaboration between researchers and creative artists. For us modernism can be seen as reaching back into the nineteenth century and forward into the twenty-first, embracing all art forms and nationalities and often mingling popular culture and high art. Our mission is to bring together academics, writers and artists to explore, interrogate, dismantle and reinvent the notion of the ‘modern’.  For more details about the Centre seehttp://www.kcl.ac.uk/artshums/ahri/centres/cmlc/aboutus.aspx . To join our mailing list please email modern@kcl.ac.uk with the heading ‘join mailing list’.

Music scores, which may be accompanied by a recording (in WAV or mp3 format), should be either posted as hardcopies or send electronically in PDF.  Musical compositions for electronic medium should be submitted in WAV format only.  Any works that include extensive improvisatory or aleatoric elements should be  accompanied  by a recording of a performance.

Best wishes,

Lara Feigel