Category: Postgraduate
The Landscape, Space, Place Research Group at the University of Nottingham is pleased to announce that registration is now open for the eighth annual postgraduate workshop!
‘Forming Ruins: an interdisciplinary postgraduate workshop’
Wednesday 2nd July 2014
Funded by the AHRC Landscape & Environment Programme and the School of English.
This one-day interdisciplinary event explores the different forms ruins can take, and the way these formations are realised and written as ruins are explored as both material ‘things’ and intangible process. It is concerned with when, where, by and for whom, ruins are formed and how this formation relates to social, political and cultural forces. It aims to use the ambiguity of ruins to enrich the enquiry into their meaning, asking how ruins can be read productively and what might be the significance and implications of the recent academic interest surrounding them.
Panels for the day will cover the following themes:
- Crisis and Contestation
- Intervention and Potentiality
- Evolving Materialities and Practices
- Temporality and Reimaginings
Papers will be followed by a keynote speech from Amy Concannon, assistant curator of the recent Ruin Lust Exhibition at the Tate Britain.
Further details can be found in the attached programme and poster.
All are welcome to attend this free event, although places are limited. If you wish to attend, please email by Wednesday 18th June: forming.ruins@nottingham.ac.uk
We look forward to seeing you in July!
Organising Committee: Alice Insley, Philip Jones, Xiaofan Xu, Emma Zimmerman
AHRC Research Network: Tailored Trades: Clothes, Labour and Professional Communities (1880-1939)
Please see the programme below for the final network workshop on the topic “Women, Clothes, and the New Workforce” that will take place on Monday, 14 July 2014 at the University of Exeter. Highlights include Becky Munford’s paper on Virginia Woolf and trousers and Rhonda Garelick’s lecture on Coco Chanel!
The event is free of charge but requires registration. Please book your place here: http://store.exeter.ac.uk/browse/extra_info.asp?compid=1&modid=2&catid=16&prodid=848.
All welcome!
INFORMATION OVERLOAD – Call for Papers / Workshop Leaders
Conference Date: 4th-5th September 2014, University of Edinburgh
Deadline for Proposals: Friday 16 June 2014
www.infoload.co.uk | @infoload2014 | cfp@infoload.co.uk
In recent years, information overload has become a popular term to describe the psychological, emotional and physical consequences of living in a culture defined by the increasing density of data and reach of communication technologies. We invite contributors for a two-day conference to explore the reverberations of this bloom of data in cultural, artistic and academic practice. Aiming to trace an aesthetics of information overload, this event seeks to analyse how different environments and their consequent effects, both real and projected, public and personal, have engendered artistic forms. We encourage participants to experiment with a range of presentational formats, testing new ways of sharing information as well as discussing its conceptual ramifications. The conference aims to prompt conversations between new and perhaps unexpected perspectives on contemporary art, literature, media and culture, opening discussion to a wide range of disciplines, approaches and theoretical frameworks. How have authors and artists interrogated information overload, diagnosed its symptoms and hypothesised its cure? Are there benefits to conceptual overload? What aesthetic forms have been developed to represent or counteract the effects of overload?
Please see the CfP at infoload.co.uk/cfp for full details.
CONTACT: cfp@infoload.co.uk
ORGANISERS: Dorothy Butchard, Andrew Campbell, Rob Lederer
INFORMATION OVERLOAD is a project to trace the aesthetics of information overload in cultural, artistic & academic practice. The conference in Edinburgh on 4th-5th September 2014 is funded by AHRC Collaborative Skills award and Edinburgh University’s Researcher-Led Initiative fund.
Follow us @infoload2014 or check infoload.co.uk for conference updates, writing on the theme of information overload, and more details.
Re-mapping Modernism(s): Transnational and Interdisciplinary Approaches
11:30 am, Friday May 30th
Room B54,
15, Woodland Road
The postgraduate members of the Transnational Modernisms Research Cluster will be holding a series of short talks, followed by a round-table, on the disciplinary and cultural challenges in defining “modernism”. Papers will be offered from literature, music, and the visual arts and will include the following topics:
– The Musicological Discourse on Modernism
– Leopoldo María Panero and Spanish Modernity
– Modernism as Seen Through Greek Sculpture
– Cinematic Modernism and Holocaust Representations
– Transnational Modernism/Transnational Capitalism
The round-table, chaired by Dr Angela Piccini, will look to involve audience members as well as speakers in a lively inter-disciplinary discussion.
All are welcome. A buffet lunch will be provided.
Katherine Mansfield and the ‘Blooms Berries’
An international conference organized by the Katherine Mansfield Society, to be held at the Newberry Library in Chicago, Illinois, USA
28–30 May 2015
Keynote Address:
Professor Sydney Janet Kaplan
University of Washington
In his eagerness to establish Katherine Mansfield’s place among her peers, John Middleton Murry sometimes published work that she herself would have rejected. Likewise, the extent of his culling of her letters and notebooks glossed over Mansfield’s complex personality and relationships, elements of her life that provide a context for better understanding her fiction. This ‘Mansfield Myth’ made her appear out of touch with the social and cultural upheaval of her time.
Having generally been relegated to the fringe of literary modernism during her lifetime, especially among the influential ‘Blooms Berries’, as Mansfield referred to them in a letter to Lady Ottoline Morrell on 15 August 1917, she nevertheless worked her way into enviable positions of prestige in some key literary magazines, and had become well known as a writer by the end of her life. It is as a member of the social fringe, though, that Mansfield becomes the most intriguing. As Sydney Janet Kaplan demonstrates in her seminal book, Katherine Mansfield and the Origins of Modernist Fiction, Mansfield brings a different perspective –– and, like Virginia Woolf, provides a corrective – to the dominant, male-centered version of modernism. Likewise, as a colonial, Mansfield remained free of the traditions that haunted most of the Bloomsbury group, including their ‘anxiety of influence’. In this, Mansfield demonstrated herself as more ‘modern’ than some of her contemporaries; having less ‘tradition’ to overcome, she was able to adopt a style that was unselfconscious of influence. The focus of this conference will therefore allow us to place her more firmly within the literary context of her time.
Suggested topics for papers might include:
- Mansfield and the ‘Blooms Berries’, focusing on her personal and/or professional relationships with particular members of the Bloomsbury group.
- Mansfield on the Fringe, exploring her relationship with other fringe-members of the Bloomsbury group such as D.H. Lawrence and T.S. Eliot, or perhaps the impact her relegation to the fringe had on her personal and/or professional life.
- Mansfield and Style, which could address some of the literary influences of some of the Bloomsbury group on Mansfield or her influence on them.
- Mansfield and Art, focusing on the shared influences the post-impressionists had on both Mansfield and the members of the Bloomsbury group, as well as other cross-fertilizations.
- Mansfield ‘in’ Bloomsbury, exploring how Mansfield has been portrayed in the fiction and letters of the various members.
- Bloomsbury ‘in’ Mansfield, turning the tables to focus on how members of Bloomsbury are portrayed in Mansfield’s fiction and letters.
- Mansfield, herself. We would entertain proposals that focus more specifically on Mansfield; however, priority will be given to those proposals that tie more directly to the conference theme.
What better venue to explore Mansfield’s interrelationships with the members of Bloomsbury than the beautiful Newberry Library in Chicago, the world’s second largest holder of Mansfield’s papers. As part of the conference, Huntington University will sponsor an exhibit of some of the library’s Mansfield holdings. Those interested in staying over on Sunday can arrange to visit the Shedd Aquarium, the Art Institute of Chicago, or the Chicago Field Museum of Natural History.
Please submit abstracts of 250 words plus a bio-sketch of 50 words to the conference organizers, Todd Martin, Erika Baldt, and Alex Moffett, to:
Complete panel proposals of three speakers plus a chair, are welcome.
Deadline for abstracts: 30 October 2014
London Modernism Seminar – May 10
http://modernistcriticismsconference.wordpress.com/
Programme
| 09.30 – 10.00 | Registration & Welcome: Natalie Wright |
| 10.00-11.15 | Panel 1: Conceptions of Criticism
Andrew Atherton (University of Kent): The Two Eliots: Effort and Passivity in the Critical Prose of T. S. Eliot Mimi Winick (Rutgers University): ‘On that bridge, emotionally, I halt’: Jane Harrison’s Ritual Scholarship Michael Jolliffe (University of Leicester): ‘Gas Bombs and Smoke Screens’: The Collateral Damage of Emanuel Carnevali’s Cultural Criticism |
| 11.30-12.45 | Panel 2: Criticism and Pedagogy
George Potts (University College London): The ‘self-explanatory or critical poet’: Eliot, Empson and Poetic Notation Benjamin Poore (Queen Mary, University of London): Why Leonard Bast had to be Killed Natalie Wright (University of Cambridge): ‘scientific, experimental, and observational work’: Edith Morley’s Professorial Criticism |
| 12.45-13.45 | Lunch |
| 13.45-15.00 | Panel 3: Modernist Critical Contexts
Maciej Jakubowiak (Jagiellonian University): A Question of the Law: Modernist Discussions on Copyright Alexandra Lyons (University College London): ‘Age of Experiment’: Katherine Mansfield’s Work in The Athenaeum David Miller (Birkbeck University): ‘Uncreativity’ and the Gendered Production of Art in Olive Moore’s The Apple is Bitten Again (Self-Portrait) (1934) |
| 15.15-16.30 | Panel 4: Alternative Critical Modes
Sarah Barnsley (Goldsmiths, University of London): Mary Barnard and Ezra Pound: A Critical Correspondence John Dunn (Queen Mary, University of London): The ‘Night’ and ‘Day’ of Literary Criticism in Maurice Blanchot’s Thomas the Obscure Katarzyna Trzeciak (Jagiellonian University): Making Radical Criticism by Sculptural Concepts: T. E. Hulme and his Influence on Imagists and Vorticists |
| 16.45-18.00 | Keynote: Professor Tim Armstrong (Royal Holloway, University of London):Reframing Modernism after 1926: Hammersmith Modernism and its Manifestos |
| 18.00-19.00 | Drinks Reception |
You can register to attend using our booking form. Entry is £10 (£5 students).
